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Framed Print : The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV

The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV



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The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV

995601 The Circle of the Thieves: Buoso Donati Attacked by the Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake, William (1757-1827) (after); 39.4x56.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.); eFitzwilliam Museum; English, out of copyright

Media ID 23518474

© Fitzwilliam Museum / Bridgeman Images

Alighieri Attacked Canto Chiaroscuro Circle Comedy Creature Criminal Criminals Dante Divine Fantastical Inferno Purgatory Romanticism Romanticist Sinner Sinners Sins Thief Thieves Underworld Virgil Monster Serpent Snakes


14"x12" (38x32cm) Modern Frame

Bring the intrigue and drama of Dante Alighieri's Inferno to your home or office with our exquisite Framed Prints featuring Bridgeman Images' illustration of The Circle of the Thieves: Buoso Donati Attacked by the Serpent from Canto XXV. This captivating engraving by Blake, based on Dante's epic poem, adds depth and character to any space. Immerse yourself in the story of Buoso Donati's encounter with the serpent in the Circle of the Thieves in Hell, as depicted in this stunning work of art. Our Framed Prints are meticulously crafted to preserve the rich details and vibrant colors of the original illustration, making it a true masterpiece to behold.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 20.7cm (9.6" x 8.1")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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The Circle of the Thieves - Buoso Donati Attacked by the Serpent

EDITORS COMMENTS
. This print captures a dramatic moment from Dante Alighieri's epic poem, "The Divine Comedy". Illustrated by William Blake in 1954, this engraving depicts a scene from Inferno, Canto XXV. The image showcases the fantastical and dark underworld where sinners face their punishments. In this particular circle of Hell, we witness Buoso Donati being attacked by a menacing serpent. The snake symbolizes the treachery and deceit that led to his downfall as a thief. As part of Dante's journey through Purgatory, he encounters various characters who represent different sins and crimes. Blake's artistic style adds depth and intensity to the illustration with its chiaroscuro technique. The use of light and shadow creates an eerie atmosphere that perfectly complements the dramatic narrative. "The Circle of the Thieves" is just one example of how literature can inspire visual art. This print serves as a reminder of Dante Alighieri's enduring legacy in both literary and artistic realms. It invites us to explore themes such as sin, punishment, redemption, and human nature. Displayed at Fitzwilliam Museum in Cambridge, UK, this artwork continues to captivate viewers with its intricate details and powerful storytelling. It stands as a testament to Blake's talent for bringing poetic visions to life through his engravings.

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