Framed Print > Animals > Birds > Charadriiformes > Sandpipers > Ruff
Framed Print : Allegorie de la vue. Une jeune femme portant un petit chien se regarde dans un miroir tenu par un homme et un adolescent qui la regardent avec intensite. Peinture de Marten Pepyn (Pepin) (1575-1643), huile sur toile, debut 17e siecle, art flamand
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Allegorie de la vue. Une jeune femme portant un petit chien se regarde dans un miroir tenu par un homme et un adolescent qui la regardent avec intensite. Peinture de Marten Pepyn (Pepin) (1575-1643), huile sur toile, debut 17e siecle, art flamand
FIA5368185 Allegorie de la vue. Une jeune femme portant un petit chien se regarde dans un miroir tenu par un homme et un adolescent qui la regardent avec intensite. Peinture de Marten Pepyn (Pepin) (1575-1643), huile sur toile, debut 17e siecle, art flamand. Collection privee. by Pepyn or Pepin, Martin (1575-1642); Private Collection; Photo © Fine Art Images
Media ID 24742338
© Fine Art Images / Bridgeman Images
Narcissism Pride Pride Proud Ruff Clothing Seduction Seven Deadly Sins Toilet Requisites Flemish Art Thinking
14"x12" (38x32cm) Modern Frame
"Discover the timeless beauty of Flemish art with our Framed Prints featuring "Allegorie de la vue" by Marten Pepyn (Pepin). This exquisite 17th-century masterpiece showcases a young woman admiring her reflection in a mirror, surrounded by an intrigued man and an intense adolescent. The captivating expression on their faces adds an enchanting layer to this allegory of self-reflection. Bring the elegance and rich history of this artwork into your home with our high-quality, museum-grade Framed Prints from Bridgeman Images and Fine Art Finder. Experience the allure of Old Masters art in a whole new way." (FIA5368185)
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 21cm x 24.4cm (8.3" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This painting by Marten Pepyn, titled "Allegorie de la vue" transports us back to the early 17th century in Flanders. The artwork depicts a young woman holding a small dog, gazing at herself in a mirror held by an older man and an adolescent boy. Their intense gazes suggest that they are captivated by her beauty and self-absorption. The composition of the painting is rich with symbolism. The woman's reflection in the mirror represents vanity and narcissism, while the presence of the dog symbolizes loyalty or perhaps even seduction. The use of vibrant colors adds depth to this allegorical scene, emphasizing both pride and youthfulness. The artist's attention to detail is evident in every aspect of this masterpiece. From the intricate ruff clothing worn by the figures to their contemplative expressions, each element contributes to our understanding of human nature and its flaws. "Allegorie de la vue" invites viewers to reflect on themes such as perception, self-image, and societal expectations surrounding beauty. It serves as a reminder that appearances can be deceiving and that excessive focus on one's own image may lead to moral downfall. This private collection print allows us to appreciate Pepyn's skillful brushwork from centuries ago while contemplating timeless concepts still relevant today.
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