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Framed Print : Hybrid pink and crimson chrysanthemum. 1893 (engraving)
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Hybrid pink and crimson chrysanthemum. 1893 (engraving)
7235195 Hybrid pink and crimson chrysanthemum.1893 (engraving) by Hasegawa, Keika (ACTIVE 1892 - 1905); Private Collection; (add.info.: Hybrid pink and crimson chrysanthemum, Chrysanthemum indicum. Handcoloured woodblock print after Keika Hasegawa from Keika Hyakugiku, Keikas 100 Chrysanthemums, published by Naosaburo Yamada, Kyoto, Japan, 1893. Keika Hasegawa drew flowers and patterns for kimono in Kyoto in the final years of the 19th century.); © Florilegius
Media ID 25143562
© Florilegius / Bridgeman Images
Ainu Border Chrysanthemums Calligraphed Calligraphic Calligraphy Chrysanthemum Flowers Of Earth Garden Flower Indoor Plant Japanese Culture Japanese Print Japanese Prints Wild Flower Wrinting Botanical Plate Flowerbed Flowes Fresh Flowers Natural Sciences
22"x18" (58x48cm) Modern Frame
Bring the timeless beauty of this exquisite Hybrid pink and crimson chrysanthemum into your home with our Framed Prints from Media Storehouse. This captivating 1893 engraving, originally created by Hasegawa Keika, showcases the allure of these vibrant blooms in their prime. The intricate details of the petals, captured in Bridgeman Images from Fine Art Finder, are sure to add an air of elegance and sophistication to any room. Experience the rich history and artistry of this iconic floral masterpiece, now available as a stunning framed print.
Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.1cm x 39.6cm (9.9" x 15.6")
Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning hybrid pink and crimson chrysanthemum, beautifully captured in an engraving from 1893. The intricate details of the flower are brought to life through the handcoloured woodblock print by Keika Hasegawa, a talented artist known for his work on kimono patterns in Kyoto during the late 19th century. The vibrant colors and delicate petals of this chrysanthemum exemplify the beauty found in nature's creations. As one gazes upon this image, they can almost feel as if they are standing amidst a wildflower garden, surrounded by fresh blooms and their intoxicating fragrance. The fusion of artistry and science is evident in this piece, with Hasegawa's meticulous attention to detail capturing not only the physical attributes of the flower but also its botanical essence. The calligraphic inscription adds another layer of elegance to the composition, further enhancing its cultural significance within Japanese art. This enchanting engraving transports viewers back to a time when botanical plates were highly valued for their scientific contributions and artistic merit. It serves as a reminder that even centuries ago, people recognized and celebrated the wonders of nature through various forms of creative expression. As we admire this exquisite print today, it allows us to appreciate both the timeless beauty of flowers and the skillful craftsmanship that went into creating such masterpieces during Japan's rich artistic history.
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