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Framed Print : Tirailleur Francais et Chevau Leger de l Armee du Pacha de Rhodes
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Tirailleur Francais et Chevau Leger de l Armee du Pacha de Rhodes
1275088 Tirailleur Francais et Chevau Leger de l Armee du Pacha de Rhodes, or The Evolutions of French Mounted Riflemen, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info.: French Rifleman and Light Horse Calvary; Napoleon Bonapartes (1769-1821) Rhodesian campaign; ); The Stapleton Collection; English, out of copyright
Media ID 22988480
© The Stapleton Collection / Bridgeman Images
Bicorn Bucking Dagger Discharging Eastern Encounter Firing Foolish Gaunt Incompetent Napoleonic Pacha Pasha Propaganda Pyjamas Queue Revolutionary Rhodes Riflemen Satchel Scimitar Scrawny Thrown Upset Wars Rhodesian Turk
14"x12" (38x32cm) Modern Frame
Bring a piece of historical artistry into your home with our Framed Prints from Media Storehouse. This exquisite offering showcases Tirailleur Francais et Chevau Leger de l'Armee du Pacha de Rhodes, an evocative hand-coloured etching by renowned artist James Gillray, published by Hannah Humphrey in 1799. Depicting French mounted riflemen, this captivating print is taken from Bridgeman Images' Fine Art Finder collection (1275088). Each Framed Print is meticulously crafted to preserve the intricate details and vibrant colours of the original artwork, making it a stunning addition to any room in your home or office. Embrace the rich history and timeless beauty of this fine art print.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 16.9cm (9.6" x 6.7")
Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This hand-coloured etching, titled "Tirailleur Francais et Chevau Leger de l Armee du Pacha de Rhodes" offers a humorous and satirical take on the French mounted riflemen during Napoleon Bonaparte's Rhodesian campaign. Published by Hannah Humphrey in 1799, this caricatured print by James Gillray captures the essence of political propaganda through its clever portrayal of incompetent soldiers. In this scene, we witness a clash between French troops and Turkish forces. The bicorn-wearing French rifleman appears foolish as he discharges his weapon while riding a bucking horse. His pyjama-like uniform adds to the comical effect, contrasting with the more traditional attire of his adversaries. A queue of upset donkeys stands nearby, symbolizing the chaos caused by these inept soldiers. Gillray's attention to detail is evident in every element of this artwork – from the exaggerated moustache on the scrawny French soldier to the fez-wearing turbaned Turk armed with a dagger and spear. The cartoonish style amplifies both sides' incompetence and highlights their mismatched encounters. Through satire and wit, Gillray creates an amusing commentary on military campaigns and politics during that era. This print serves as a reminder that even great armies can be subject to ridicule when faced with unfamiliar territories or opponents. Now part of The Stapleton Collection, this engraving provides us with insight into historical events while showcasing Gillray's talent for capturing both humor and political critique within one image.
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