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Framed Print : William Warham, Archbishop of Canterbury, 1450-1532. 1812 (engraving)

William Warham, Archbishop of Canterbury, 1450-1532. 1812 (engraving)



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William Warham, Archbishop of Canterbury, 1450-1532. 1812 (engraving)

7234611 William Warham, Archbishop of Canterbury, 1450-1532. 1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: William Warham, Archbishop of Canterbury, 1450-1532. Waramus, Arch Bp. Cant. Handcoloured copperplate stipple engraving by George Sigmund Facius after a portrait by Hans Holbein the Younger from Imitations of Original Drawings by Hans Holbein, John Chamberlaine, London, 1812.); © Florilegius

Media ID 31728040

© Florilegius / Bridgeman Images

Bishop Bishops Clergymen Faces Hans Holbein The Younger Holbein Hans The Younger 1497 1543 Catholic Religion Catholics Reinassance Religious Role Renaissance Time


14"x12" (38x32cm) Modern Frame

Bring a touch of historical elegance to your home or office with our Framed Print of William Warham, Archbishop of Canterbury (1450-1532) by Holbein the Younger. This beautiful engraving, created in 1812, showcases the intricate details of Warham's portrait, capturing the dignity and importance of this significant historical figure. Our high-quality frame enhances the artwork, making it a stunning addition to any room. This print is not only a beautiful piece of art, but also a fascinating glimpse into the past. Add it to your collection and let history come alive in your space.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.1cm x 24.4cm (7.5" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Hans (after) Holbein the Younger

> Arts > Art Movements > Renaissance Art

> Arts > Artists > H > Hans Holbein the Younger

> Arts > Artists > Related Images

> Arts > Portraits

> Arts > Realistic drawings > Portrait drawings > Fine art

> Arts > Street art graffiti > Portraits > Fine art

> Europe > Germany > Politics

> Europe > Germany > Posters

> Europe > United Kingdom > England > London > Politics > Related Images

> Historic > Renaissance art


EDITORS COMMENTS
This engraving, created in 1812 by George Sigmund Facius after a portrait by Hans Holbein the Younger, depicts William Warham, Archbishop of Canterbury from 1450 to 1532. The print showcases the intricate details and hand-colored copperplate stipple technique that bring this historical figure to life. Warham was an influential clergyman and politician during the Renaissance period. As one of the highest-ranking members of the Catholic Church in England, he played a significant role in shaping religious affairs and politics of his time. His stern yet dignified expression reflects his authority and wisdom. Holbein's masterful artistry is evident in every stroke, capturing Warham's likeness with remarkable precision. The attention to detail extends beyond facial features; it encompasses his elaborate attire and accessories as well. This portrayal not only serves as a testament to Holbein's talent but also provides valuable insights into the fashion trends of the era. The engraving transports us back to sixteenth-century Europe, where religion held immense power over society. It reminds us of Warham's pivotal role within both Catholicism and Christianity at large. Through this artwork, we gain a glimpse into history—a moment frozen in time—where faith intersected with politics on a grand scale. As we admire this print today, we are reminded of how art can preserve moments from centuries past while allowing us to appreciate their significance anew.

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