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Framed Print : Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

Market Day, published by S.W. Fores in 1788 (hand-coloured etching)



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Market Day, published by S.W. Fores in 1788 (hand-coloured etching)

NCO190431 Market Day, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Every man has his price'; Thus he will go to the stars'; cow with the head of a man; politicians offering themselves for sale; Speaker of the House of Commons;)

Media ID 33089288

© Bridgeman Images

Ballot Box Corruption Election Hanoverian James Gillray Minister Overturning Political Satire Voter Trussed


14"x12" (38x32cm) Modern Frame

Experience the rich history of the past with our exquisite Framed Prints from Media Storehouse. This captivating piece, titled "Market Day," is a hand-coloured etching published by S.W. Fores in 1788. Originally created by the renowned British satirist James Gillray, this masterpiece offers a glimpse into the vibrant and bustling market scenes of the late 18th century. Add an air of sophistication and historical charm to your space with this beautifully framed print from Bridgeman Images and Fine Art Finder. Each print is carefully selected, preserving the intricate details and vivid colours of the original artwork, ensuring a stunning addition to your home or office decor. Invest in a piece of history with Media Storehouse's Framed Prints.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 17.5cm (9.6" x 6.9")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > George Stubbs

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Cartoons, Caricatures & Humour

> Animals > Farm > Cattle > Related Images

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> Architecture > Great Houses

> Arts > Artists > G > James Gillray

> Arts > Artists > Related Images

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

> Europe > United Kingdom > England > Oxford

> Europe > United Kingdom > England > Politics

> People > Politicians


EDITORS COMMENTS
Market Day, published by S. W. Fores in 1788 (hand-coloured etching) captures the essence of political satire and social commentary during the Georgian era. Created by the renowned artist James Gillray, this scathing satirical cartoon offers a biting critique on corruption and the selling of votes within British politics. In this intricate artwork, Gillray ingeniously depicts politicians as commodities on display at a bustling market. The Speaker of the House of Commons stands prominently, surrounded by other statesmen who shamelessly offer themselves for sale to the highest bidder. The caption 'Every man has his price' serves as a stark reminder that even those entrusted with governing can be swayed by personal gain. One particularly striking element is the cow with a man's head, symbolizing how easily individuals can be manipulated or transformed into mere pawns in political games. This anthropomorphication adds an extra layer of symbolism to an already powerful image. Gillray's masterful use of hand-coloured etching brings depth and vibrancy to each character and scene depicted. Through meticulous detail and clever composition, he exposes not only the flaws within British politics but also highlights broader themes such as greed, corruption, and voter manipulation. This extraordinary work from New College Oxford's collection showcases Gillray's exceptional talent as both an artist and social commentator. It remains relevant today as a testament to art's ability to challenge authority while provoking thought and reflection on societal issues.

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