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Framed Print : The Last of His Race (The Vanishing American), 1908 (oil on composition board)

The Last of His Race (The Vanishing American), 1908 (oil on composition board)



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The Last of His Race (The Vanishing American), 1908 (oil on composition board)

3247995 The Last of His Race (The Vanishing American), 1908 (oil on composition board)
by Remington, Frederic (1861-1909); 45.7x31.5 cm; Yale University Art Gallery, New Haven, CT, USA; American, out of copyright

Media ID 18259579

© Yale University Art Gallery, New Haven, CT, USA / Bridgeman Images

American Indian American West Blackfoot Cliff Clifftop Indian Wars Native America North American Indian Plain Plains Precipice Reservation Scout Tribe Wild West


22"x18" (58x48cm) Modern Frame

Experience the rich history and artistry of the American West with our exquisite range of Framed Prints from Media Storehouse. This captivating piece, titled "The Last of His Race (The Vanishing American)" by Frederic Remington, transports you back in time with its evocative portrayal of a lone Native American warrior. Originally painted in oil on composition board in 1908, this iconic artwork is now available as a stunning framed print, perfect for adding depth and character to your home or office. Each print is meticulously produced using high-quality materials to ensure vibrant colors and sharp details, making it a true work of art in its own right. Bring the timeless beauty of "The Last of His Race (The Vanishing American)" into your space and connect with the history and culture it represents.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 26.7cm x 39.6cm (10.5" x 15.6")

Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art


The Last of His Race (The Vanishing American), 1908

EDITORS COMMENTS
is a captivating oil painting by Frederic Remington that depicts the poignant story of a Native American man standing on the edge of a precipice, overlooking a vast and rugged landscape. The composition board print measures 45.7x31.5 cm and is housed in the Yale University Art Gallery in New Haven, CT, USA. Remington's masterful brushwork brings to life the beauty and harshness of the American West, capturing both its grandeur and its fading glory. The figure of the Blackfoot Indian stands as an emblematic representation of an entire culture on the brink of extinction due to colonization and forced assimilation. The artist skillfully portrays not only the physical features but also conveys deep emotions through his subject's expression and posture. With one foot slightly raised as if contemplating his next move, he gazes into the distance with a mix of determination, resignation, and perhaps even sorrow. This evocative artwork serves as a reminder of our shared history with Native Americans and prompts us to reflect upon their struggles for survival amidst rapid societal changes during this period known as "the vanishing American". It invites viewers to contemplate themes such as identity, heritage preservation, cultural loss, and resilience. As we admire this timeless piece from Remington's oeuvre today at Yale University Art Gallery, it continues to resonate with audiences worldwide by shedding light on important chapters in America's past while honoring indigenous peoples' rich contributions

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