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Framed Print : The Parable of the Wheat and the Tares, 1624 (oil on canvas)

The Parable of the Wheat and the Tares, 1624 (oil on canvas)



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The Parable of the Wheat and the Tares, 1624 (oil on canvas)

WLT204652 The Parable of the Wheat and the Tares, 1624 (oil on canvas) by Bloemaert, Abraham (1566-1651); 100.4x132.5 cm; Walters Art Museum, Baltimore, USA; (add.info.: devil sowing the field with weeds; ); Dutch, out of copyright

Media ID 18252579

© Walters Art Museum, Baltimore, USA / Bridgeman Images

Asleep Dove Dovecote Doves Evil Good Parables Pigeon House Rake Stilts Tree House Pigeonnier


14"x12" (38x32cm) Modern Frame

Add timeless beauty to your home or office with Media Storehouse's Framed Prints featuring "The Parable of the Wheat and the Tares," a captivating oil on canvas painting by Abraham Bloemaert. This exquisite work of art, originally created in 1624, is now available in a high-quality framed print that showcases the intricate details and vibrant colors of the original masterpiece. The Parable of the Wheat and the Tares is a thought-provoking piece that tells the biblical story of good and evil growing together. Bring this remarkable artwork into your space to inspire and intrigue, and enjoy the rich history and culture it embodies.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 18.4cm (9.6" x 7.2")

Estimated Product Size is 37.6cm x 32.5cm (14.8" x 12.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Abraham Bloemaert

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Birds > Columbiformes > Pigeons > Related Images

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > B > Abraham Bloemaert

> Arts > Artists > F > Walter Field


EDITORS COMMENTS
The Parable of the Wheat and the Tares, painted by Abraham Bloemaert in 1624, captures a profound biblical message through its intricate details. In this oil on canvas masterpiece, we witness a scene that unfolds with symbolism and moral lessons. The central focus lies on a vast field where wheat is being sown. However, amidst the diligent work of sowing seeds, an unexpected twist emerges. A devilish figure stealthily scatters weeds among the fertile soil, representing evil infiltrating goodness. As our eyes wander across the painting's landscape, we encounter various elements that enhance its narrative depth. A peaceful dove perched atop a treehouse symbolizes purity and innocence contrasting with the malevolent act taking place below. The presence of stilts suggests vulnerability as individuals sleep unaware of impending danger. Bloemaert skillfully incorporates both light and shadow to emphasize contrasts between good and evil within this parable. Nude figures peacefully rest nearby while others diligently rake away unwanted intruders from their crops. This thought-provoking artwork now resides at the Walters Art Museum in Baltimore, USA. Its timeless depiction serves as a reminder for viewers to remain vigilant against deceitful forces that seek to corrupt what is pure and virtuous. Through his masterful brushstrokes, Bloemaert invites us to reflect upon our own lives – urging us to discern between good intentions and hidden malice lurking beneath serene exteriors.

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