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Framed Print : two meetings

two meetings



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two meetings

Gilbert Claes

Media ID 36608122

Boys Coastline Moody Pebbles Persons Statues Stones Three Encounters Meetings Minimalism


22"x18" (58x48cm) Modern Frame

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 39.6cm x 16.3cm (15.6" x 6.4")

Estimated Product Size is 57.9cm x 47.8cm (22.8" x 18.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> 1x Gallery > Mood

> Arts > Artists > O > Oceanic Oceanic

> Arts > Contemporary art > Landscapes > Minimalism

> Arts > Landscape paintings > Coastal landscapes > Landscape paintings

> Arts > Minimalist artwork > Minimalism > Minimalism artwork

> Arts > Modern art pieces > Minimalism > Landscape paintings


EDITORS COMMENTS
In this evocative photograph by Belgian artist Gilbert Claes, titled "Meetings at the Coast," we are invited to bear witness to three profound encounters taking place along a desolate, moody coastline. The vast expanse of the ocean stretches out before us, its dark, turbulent waters crashing against the jagged, rocky shoreline. The minimalist composition invites us to reflect on the beauty and power of nature, as well as the human condition. At the water's edge, two figures stand facing each other, their bodies obscured by the mist and spray, as if lost in deep conversation. Their forms, rendered in soft, monochromatic tones, blend seamlessly with the surrounding environment, emphasizing their connection to the natural world. Nearby, a third figure, a young boy, sits alone on a rock, seemingly lost in thought as he gazes out at the endless expanse of water. The scene is further enriched by the presence of three statuesque figures, their stoic forms weathered by the elements and seemingly eternal. They stand sentinel over the shore, bearing witness to the passing of time and the endless cycle of meetings and encounters that take place upon this coastal landscape. The composition is further enhanced by the textures of the pebbles and stones, the grainy sand, and the undulating waves, all of which add depth and complexity to the image. The overall effect is one of contemplative beauty, inviting us to reflect on the fleeting nature of human connections and the enduring power of the natural world. Gilbert Claes' "Meetings at the Coast" is a hauntingly beautiful meditation on the human condition, the passage of time, and the enduring power of nature. Through his masterful use of composition, tone, and texture, Claes invites us to explore the depths of our own emotions and to find meaning in the most unexpected places. This is a photograph that lingers in the memory, long after the initial viewing.

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