Fine Art Print > Europe > United Kingdom > Wales > Mid Glamorgan > Pontypridd
Fine Art Print : The Day, Heath Robinson - the hoisting of the hostage
Fine Art Prints from Mary Evans Picture Library
The Day, Heath Robinson - the hoisting of the hostage
The Day: The Germans Come - and are " Terror" -ised. Incidents of the Coming German Invasion of England-from the British side, by Heath Robinson. The hoisting of the hostage: a German gun on the heights of Pontypridd. Series of cartoons by William Heath Robinson in The Sketch. Date: 1910
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Media ID 14230010
© Illustrated London News Ltd/Mary Evans
Amusing Cannon Heath Heights Hoisting Hostage Pontypridd Robinson Rocks Silly Uniforms Crevice
A2 (42x59cm) Fine Art Print
Experience the whimsical and satirical world of Heath Robinson with our exquisite Fine Art Prints from Media Storehouse. This captivating print, titled "The Day: The Germans Come - and are 'Terror'-ised," showcases Robinson's unique ability to blend humor and social commentary. Originally published in 1939, this iconic image from Mary Evans Prints Online depicts the humorous yet tense scene of the British preparing to hoist a hostage during the anticipated German invasion. Add a touch of timeless wit and charm to your home or office with this stunning fine art print. Order now and bring a piece of historical artistry into your space.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 41cm x 59.4cm (16.1" x 23.4")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
The Hoisting of the Hostage: A Humorous Take on the German Threat during the Early 20th Century, as Depicted in Heath Robinson's 'The Day: The Germans Come' Heath Robinson's satirical illustration, titled 'The Hoisting of the Hostage: A German Gun on the Heights of Pontypridd,' was published in The Sketch magazine in 1910. This cartoon, one of a series depicting the perceived threat of a German invasion of England, showcases Robinson's unique brand of humour that both poked fun at and alleviated the fear and tension of the time. In this particular image, we see a group of bumbling German soldiers attempting to hoist a large cannon up a steep and treacherous rocky outcrop. The soldiers, all clad in their distinctive uniforms, struggle to maneuver the cannon, which appears comically oversized for the terrain. At the top of the outcrop, a British soldier, seemingly unfazed, casually holds a hostage – a local townsperson – as leverage against the invading force. The scene is set against the backdrop of the Welsh town of Pontypridd, with its rolling hills and picturesque landscape. The soldiers' efforts to conquer the land are contrasted with the idyllic setting, adding to the overall sense of absurdity and humor. Robinson's illustration serves as a reminder of the complex emotions and reactions to the perceived threat of invasion during this period. Through his whimsical and humorous depictions, he was able to address the fear and tension of the time while also providing a lighthearted escape for his audience. This cartoon is an intriguing glimpse into the historical context of early 20th century Britain and the unique perspective of one of its most beloved and influential illustrators.
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