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Fine Art Print : Medieval architectural ornament and sculpture, (1898). Creator: Unknown
Fine Art Prints from Heritage Images
Medieval architectural ornament and sculpture, (1898). Creator: Unknown
Medieval architectural ornament and sculpture, (1898). Fig 1: Carved figure from the stalls of the Minster at Ulm. Fig 2: Projecting bracket of a seat-flap (Misericordia) of the same stalls. Fig 3: Key-stone-decoration from the cathedral at Naumburg. Fig 4: Projecting bracket of a capital from the church at Gelnhausen. Fig 5: Projecting bracket of a capital of French origin. Fig 6: Finial from Notre-dame at Paris. Fig 7: Knob of a finial ibid. Fig 8: Finial from the tabernacle of the former hospital-church at Esslingen. Fig 9: Crocket from Nuremberg. Fig 10: Crocket from Cologne Cathedral. Figs 11 and 12: Hollow-decoration ibid. Figs 13 and 14: Water-spout ibid. Fig 15: Capital of French origin. Fig 16: Capital from the cloister of the church at Wimpfen-im-Thal. Fig 17: Capital from the bell-hall of the Frauenkirche at Esslingen. Fig 18: Capital from the font in the Marienkirche at Reutlingen. Fig 19: Cornice-decoration on the cathedral of Troyes. Fig 20: Carved and pierced panel of a little shrine-door of French origin. Fig 21: Hollow-decoration from the church at Wimpfen-im-Thal. Fig 22: Hollow-decoration from Nuremberg. Plate 41 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778070
© The Print Collector/Heritage Images
B T Batsford Bamp W Batsford Bt Batsford Capital Chromolithograph Dolmetsch Finial Foliage Gargoyle Grapevine H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Knob Max Seeger Notre Dame Notre Dame Cathedral Notre Dame De Paris Seeger Stylised Gargoyles Thirteenth Century
A2 (42x59cm) Fine Art Print
Step back in time with our exquisite selection of Medieval Fine Art Prints from the Media Storehouse collection. Featuring intricately carved figures and ornate architectural details, these captivating prints transport you to the grandeur of the Middle Ages. Discover the beauty of Fig 1, a carved figure from the stalls of the Minster at Ulm, and Fig 2, a projecting bracket of a seat-flap (Misericordia) from the same stalls. Each print showcases the masterful craftsmanship of an unknown artist from 1898, now available for your home or office. Bring history to life with these stunning, vintage Fine Art Prints.
Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 39.7cm x 59.4cm (15.6" x 23.4")
Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning collection of medieval architectural ornament and sculpture, captured in 1898 by an unknown creator. Each figure and detail tells a unique story of craftsmanship and artistic expression from the past. Figures 1 to 3 highlight intricate carvings found in prominent German cathedrals such as Ulm, Naumburg, and Gelnhausen. These ornate pieces demonstrate the skillful mastery of stone carving during the medieval period. Moving on to Fig 4 to Fig 7, we are transported to France where we encounter beautifully crafted brackets, finials, and knobs from iconic structures like Notre-dame in Paris. The delicate details showcased here exemplify the French Gothic style that has captivated art enthusiasts for centuries. Figures 9 to 12 introduce us to various crockets, hollow-decorations, and water-spouts sourced from Nuremberg and Cologne Cathedral. These elements were essential in adding visual interest and complexity to architectural designs during this era. The remaining figures take us on a journey through different regions of Germany with captivating examples including capitals from Wimpfen-im-Thal's church cloister (Fig 16), Frauenkirche at Esslingen (Fig17), Marienkirche at Reutlingen (Fig18), cornice-decoration on Troyes' cathedral (Fig19), carved shrine-door panel (Fig20) among others. Plate 41 from "The Historic Styles of Ornament" is not just a mere photograph but rather a window into our rich cultural heritage. It serves as a reminder that even today we can appreciate the beauty created by artisans who lived centuries ago.
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