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Dolmetsch Collection

"Dolmetsch: A Timeless Tapestry of Artistic Traditions" Step into the world of Dolmetsch, a captivating collection that transcends time and borders

Background imageDolmetsch Collection: German Renaissance ceiling and wall painting, wood mosaic and embroidery, (1898). Creator: Unknown

German Renaissance ceiling and wall painting, wood mosaic and embroidery, (1898). Creator: Unknown
German Renaissance ceiling and wall painting, wood mosaic and embroidery, (1898). Fig 1: Wall-painting from the bath-rooms in the Fugger-house at Augsburg

Background imageDolmetsch Collection: Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown

Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown
Ancient Greek ornamental architecture and sculpture, (1898). Fig. I. Doric capital from Paestum (with painted ornaments). Fig 2

Background imageDolmetsch Collection: Ancient Greek pottery, (1898). Creator: Unknown

Ancient Greek pottery, (1898). Creator: Unknown
Ancient Greek pottery, (1898). Figs 1-9: Forms of Greek vases. Fig 1: Amphora, vessel for oil, wine etc. Fig 2: Hydria, vessel for carrying water. Fig 3: Urn, a cinerary vessel

Background imageDolmetsch Collection: Painted plasterwork, Germany, 18th century, (1898). Creator: Unknown

Painted plasterwork, Germany, 18th century, (1898). Creator: Unknown
Painted plasterwork, Germany, 18th century, (1898). Figs 1-3: Portions of Carved Panelling in the Ducal Castle of Bruchsal [Schloss Bruchsal]. Figs 4-5: Portions of Plaster Ceiling in the same room

Background imageDolmetsch Collection: Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown

Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown
Medieval enamel and illuminated manuscripts, (1898). Fig: 1: Initial from a German manuscript (Rhenish school), 11th-12th century, in the Library at Paris

Background imageDolmetsch Collection: Byzantine weaving and embroidery, (1898). Creator: Unknown

Byzantine weaving and embroidery, (1898). Creator: Unknown
Byzantine weaving and embroidery, (1898). Fig 1: Embroidered purple robe in the cathedral-treasure at Bamberg. Fig 2: Figured silk-stuff on the tunic of Henry II. in the National-Museum at Munich

Background imageDolmetsch Collection: Indian marble inlay, (1898). Creator: Unknown

Indian marble inlay, (1898). Creator: Unknown
Indian marble inlay, (1898). Figs 1 to 9: Marble marquetry from the mausoleums of the Shah Jehan and the Begum Mumtaz-i-Mahal...It is to the [17th century] that the marble-marquetries from the Mogul

Background imageDolmetsch Collection: Ancient Egyptian decoration, (1898). Creator: Unknown

Ancient Egyptian decoration, (1898). Creator: Unknown
Ancient Egyptian decoration, (1898). Examples of architecture and painting from Ancient Egypt: Fig 1: Painted relief-figure from a column of the temple at Denderah

Background imageDolmetsch Collection: Assyrian decoration, (1898). Creator: Unknown

Assyrian decoration, (1898). Creator: Unknown
Assyrian decoration, (1898). Examples of ancient Assyrian painting, polychrome sculpture and pottery from what is now Iraq: Fig 1: Portion of a glazed brick from a palace at Khorsabad

Background imageDolmetsch Collection: Medieval illuminated manuscripts, (1898). Creator: Unknown

Medieval illuminated manuscripts, (1898). Creator: Unknown
Medieval illuminated manuscripts, (1898). Figs 1-4: From the 14th century. Figs 5-13: With the single leaves and flowers from the 15th century...In the illumination of manuscripts the livelier forms

Background imageDolmetsch Collection: Chinese painting, (1898). Creator: Unknown

Chinese painting, (1898). Creator: Unknown
Chinese painting, (1898). Figs 1-5 and 9-13: borders; Figs 6-8: continuous patterns of painted China vases, the greater part of which are to be found in South Kensington Museum [Victoria & Albert

Background imageDolmetsch Collection: Silk-weaving, Germany, 18th and 19th centuries, (1898). Creator: Unknown

Silk-weaving, Germany, 18th and 19th centuries, (1898). Creator: Unknown
Silk-weaving, Germany, 18th and 19th centuries, (1898). Figs 1-7: Silk from Specimens in the Royal Museum at Stuttgart...The silk industry

Background imageDolmetsch Collection: Metal ornaments, Germany, 19th century, (1898). Creator: Unknown

Metal ornaments, Germany, 19th century, (1898). Creator: Unknown
Metal ornaments, France and Germany, 19th century, (1898). Empire style fittings: Figs 1-23: Metal-Ornaments of furniture in the Kings Palace [New Palace

Background imageDolmetsch Collection: Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Creator: Unknown

Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Creator: Unknown
Gobelins tapestry and lacework, France and Germany, early 19th century, (1898). Fig 1: Panel of a Screen by Saint-Ange. Figs 2-5

Background imageDolmetsch Collection: German Renaissance stained glass painting, (1898). Creator: Unknown

German Renaissance stained glass painting, (1898). Creator: Unknown
German Renaissance stained glass painting, (1898). Figs 1-3: Glass-paintings from the dome of the rich Chapel in the Royal residence at Munich

Background imageDolmetsch Collection: Lace weaving and embroidery, France, 17th and 18th century, (1898). Creator: Unknown

Lace weaving and embroidery, France, 17th and 18th century, (1898). Creator: Unknown
Lace weaving and embroidery, France, 17th and 18th century, (1898). Fig 1: Lace in the style of Louis XIV [c1643-1715], in the possession of C. Baur, manufacturer of furniture at Biberach [Germany]

Background imageDolmetsch Collection: French Renaissance weaving, embroidery and book covers, (1898). Creator: Unknown

French Renaissance weaving, embroidery and book covers, (1898). Creator: Unknown
French Renaissance weaving, embroidery and book covers, (1898). Fig 1: Silk weaving, late 17th century. Fig 2: Silk-weaving, mid 16th century

Background imageDolmetsch Collection: French Renaissance ornaments in stone and wood, (1898). Creator: Unknown

French Renaissance ornaments in stone and wood, (1898). Creator: Unknown
French Renaissance ornaments in stone and wood, (1898). Fig 1: Pilaster-capital from a chimney in the Hotel Lasbordes at Toulouse (Francois I), [16th century]

Background imageDolmetsch Collection: Wall painting and ceiling decoration, Germany, early 19th century, (1898). Creator: Unknown

Wall painting and ceiling decoration, Germany, early 19th century, (1898). Creator: Unknown
Wall painting and ceiling decoration, Germany, early 19th century, (1898). Figs 1-6: Wall and ceiling decorations from King Frederick Is work-room in the castle of Ludwigsburg [Ludwigsburg Palace

Background imageDolmetsch Collection: German Renaissance ceiling and wall painting, (1898). Creator: Unknown

German Renaissance ceiling and wall painting, (1898). Creator: Unknown
German Renaissance ceiling and wall painting, (1898). Fig 1: Spandril on wall compartments. Fig 2: Panel in a window flanning. Figs 3 and 4: Decorations of columns

Background imageDolmetsch Collection: German Renaissance ornament in stone and wood, (1898). Creator: Unknown

German Renaissance ornament in stone and wood, (1898). Creator: Unknown
German Renaissance ornament in stone and wood, (1898). Fig 1: Herma from the tombs of Wurttembergian princes in the choir of the " Stiftskirche" at Stuttgart

Background imageDolmetsch Collection: Medieval stone mosaic, (1898). Creator: Unknown

Medieval stone mosaic, (1898). Creator: Unknown
Medieval stone mosaic, (1898). Figs 1-8: Engraved stone-flags from the old cathedral at St. Omer, 13th century (ground brown, interior design of horse and horseman filled up with red)

Background imageDolmetsch Collection: Italian Renaissance ceiling painting, (1898). Creator: Unknown

Italian Renaissance ceiling painting, (1898). Creator: Unknown
Italian Renaissance ceiling painting, (1898). Figs 1-4: From the choir-arch in S. Maria del Popolo at Rome, (by Pinturicchio.) Fig 5: From one of the Borgia chambers in the Vatican at Rome

Background imageDolmetsch Collection: Russian architectural ornament and wood carving, (1898). Creator: Unknown

Russian architectural ornament and wood carving, (1898). Creator: Unknown
Russian architectural ornament and wood carving, (1898). Fig 1: Phantastic church-cupolas at Jaroslaw, 17th and 18th century

Background imageDolmetsch Collection: Byzantine architecture and sculpture, (1898). Creator: Karl Schaupert

Byzantine architecture and sculpture, (1898). Creator: Karl Schaupert
Byzantine architecture and sculpture, (1898). Fig 1: Capital from Agia Theotokos at Constantinople, late 9th century. Fig 2:Capital from S. Vitale at Ravenna

Background imageDolmetsch Collection: Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898)

Italian Renaissance sgraffitos, wood-mosaic, marble-mosaic and bas-reliefs, (1898). Fig 1: Sgraffito on a house at Rome, Via Giulia Nr. 82. Fig 2: Sgraffito on a house at Rome, Via dei Coronari Nr

Background imageDolmetsch Collection: Russian manuscript painting, (1898). Creator: Unknown

Russian manuscript painting, (1898). Creator: Unknown
Russian manuscript painting, (1898). Fig 1: From a Gospel of the 14th century in the Imperial Public Library. Figs 3, 12 and 13: From Psalteries in the library of the Trinity Cloister near Moscow

Background imageDolmetsch Collection: Celtic illuminated manuscripts, (1898). Creator: Unknown

Celtic illuminated manuscripts, (1898). Creator: Unknown
Celtic illuminated manuscripts, (1898). The lettering at top left is from the Lindisfarne Gospels, probably produced c715-720 AD in the monastery at Lindisfarne, Northumberland

Background imageDolmetsch Collection: Arab-Moorish architectural decoration, (1898). Creator: Unknown

Arab-Moorish architectural decoration, (1898). Creator: Unknown
Arab-Moorish architectural decoration, (1898). Arabian-Moresque - Architectonic Ornament - Fig 1: Panel from the Alhambra [Granada, Spain]. Fig 2: Decoration in stone above a door in Cairo

Background imageDolmetsch Collection: French Renaissance typographic ornaments, (1898). Creator: Unknown

French Renaissance typographic ornaments, (1898). Creator: Unknown
French Renaissance typographic ornaments, (1898). Fig 1: Initial from the time of Louis XII by [Geofroy] Tory. Fig 2: Initial from the time of Francois I by Tory

Background imageDolmetsch Collection: Roman metalwork, (1898). Creator: Unknown

Roman metalwork, (1898). Creator: Unknown
Roman metalwork, (1898). Examples of ancient Roman items made of bronze: Fig 1: Fountain-figure, representing a drunken Faun

Background imageDolmetsch Collection: Japanese lacquer-painting, (1898). Creator: Unknown

Japanese lacquer-painting, (1898). Creator: Unknown
Japanese lacquer-painting, (1898). Examples of lacquerware designs: Figs 1-50. Motives [motifs] for lacker-painting...Of all productions of Japanese art

Background imageDolmetsch Collection: Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown

Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown
Italian Renaissance embroidery and carpet-weaving, (1898). Fig 1: Embroidery on an ecclesiastical mantle in S. Croce at Florence

Background imageDolmetsch Collection: Metal fittings, France and Germany, 18th century, (1898). Creator: Unknown

Metal fittings, France and Germany, 18th century, (1898). Creator: Unknown
Metal fittings, France and Germany, 18th century, (1898). Figs 1-15: Metal mountings from casts in the collection of plaster casts in the Royal Technical Institute

Background imageDolmetsch Collection: French Renaissance ornament on wood and metals, (1898). Creator: Unknown

French Renaissance ornament on wood and metals, (1898). Creator: Unknown
French Renaissance ornament on wood and metals, (1898). Fig 1: Boule work from a clock in the Museum vaterlandischer Altertumer at Stuttgart, (French)

Background imageDolmetsch Collection: French Renaissance enamel on metal, pottery painting, metal mosaic, (1898). Creator: Unknown

French Renaissance enamel on metal, pottery painting, metal mosaic, (1898). Creator: Unknown
French Renaissance enamel on metal, pottery painting, metal mosaic, (1898). Figs 1-10: Decorations on Limoges-vessels (copper-enamelling), Fig 1 in private possession

Background imageDolmetsch Collection: French Renaissance Gobelins tapestries, (1898). Creator: Unknown

French Renaissance Gobelins tapestries, (1898). Creator: Unknown
French Renaissance Gobelins tapestries, (1898). Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80)

Background imageDolmetsch Collection: French Renaissance wall painting, polychrome painted sculpture, weaving and book covers, (1898)

French Renaissance wall painting, polychrome painted sculpture, weaving and book covers, (1898). Fig 1: Painted frieze on both sides of a chimney in the Hotel d Aluie at Blois, style of Louis XII

Background imageDolmetsch Collection: French Renaissance ceiling painting, (1898). Creator: Unknown

French Renaissance ceiling painting, (1898). Creator: Unknown
French Renaissance ceiling painting, (1898). Figs 1 and 3: Painted ceilings of timbers in the Castle at Blois (Francois I), [16th century]. Figs 2 and 4: Painted binding-beams on the same ceilings

Background imageDolmetsch Collection: French Renaissance carpet painting, (1898). Creator: Unknown

French Renaissance carpet painting, (1898). Creator: Unknown
French Renaissance carpet painting, (1898). Details from walls painted to look like carpets or tapestries: Figs 1-9: Painted carpet-patterns in the Castle at Blois [Chateau de Blois] from the time of

Background imageDolmetsch Collection: German Renaissance metalwork, (1898). Creator: Unknown

German Renaissance metalwork, (1898). Creator: Unknown
German Renaissance metalwork, (1898). Figs 1-6: Representations of armour from the Kabinet der Handzeichnungen alter Meister at Munich...Many weapons and armours, the surfaces of which are

Background imageDolmetsch Collection: German Renaissance polychrome painted plaster work, (1898). Creator: Unknown

German Renaissance polychrome painted plaster work, (1898). Creator: Unknown
German Renaissance polychrome painted plaster work, (1898). Figs 1-10: Portions of the painted wood ceiling in the knights -hall of the Castle at Heiligenberg

Background imageDolmetsch Collection: Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898)

Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898). Fig 1: Stamped leather hangings in the style of Louis XIV from the Sammlung vaterlandischer

Background imageDolmetsch Collection: Painted plaster ornament, France, 18th century, (1898). Creator: Unknown

Painted plaster ornament, France, 18th century, (1898). Creator: Unknown
Painted plaster ornament, France, 18th century, (1898). Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]

Background imageDolmetsch Collection: Gobelins weaving, France, 18th century, (1898). Creator: Unknown

Gobelins weaving, France, 18th century, (1898). Creator: Unknown
Gobelins weaving, France, 18th century, (1898). Fig 1: Chair-seat by Louis Tessier, Louis XV [c1715-1774]. Fig 2: Basket of fruit by the same Artist, Louis XV

Background imageDolmetsch Collection: Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown

Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown
Plaster ornaments, France, 17th and 18th centuries, (1898). Fig 1: Panel decorations at door and window niches in the throne room of the Castle at Fontainebleau, style of Louis XIV [c1643-1715]

Background imageDolmetsch Collection: Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown

Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown
Gobelins tapestries, late 17th-early18th century, (1898). Fig 1: Gobelin tapestry for the Castle of St. Germain [Chateau-Neuf de Saint-Germain-en-Laye, near Paris]

Background imageDolmetsch Collection: Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898)

Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898). Fig 1: Embroidery from the Sammlung vaterlandischer Altertumer at Stuttgart



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"Dolmetsch: A Timeless Tapestry of Artistic Traditions" Step into the world of Dolmetsch, a captivating collection that transcends time and borders. This extraordinary compilation showcases an array of artistic masterpieces from various cultures and eras, each one meticulously crafted by unknown creators. Immerse yourself in the enchanting beauty of German Renaissance ceiling and wall paintings, where vibrant colors dance across the canvas, breathing life into every stroke. Marvel at the intricate wood mosaics and delicate embroideries that adorn these timeless works. Travel back to Ancient Greece as you explore ornamental architecture and sculpture frozen in time. These remarkable pieces transport you to a realm where gods and goddesses come alive through stone carvings that exude grace and power. Delve further into Greek culture with their exquisite pottery, showcasing intricate patterns that tell tales of ancient civilizations. Journey through history as you encounter painted plasterwork from 18th century Germany, revealing a symphony of colors adorning walls with elegance. Discover medieval enamel illuminations that illuminate manuscripts with golden hues, preserving stories for generations to come. Unravel the secrets behind Byzantine weaving and embroidery techniques passed down through centuries – witness threads intertwining like whispers on fabric canvases. Be captivated by Indian marble inlays that transform cold stone into breathtaking tapestries depicting scenes from mythology or daily life. Witness the grandeur of Ancient Egyptian decorations; hieroglyphs etched onto walls whispering tales lost in time while Assyrian decorations evoke images of mighty empires long gone but not forgotten. Chinese paintings transport you to serene landscapes filled with tranquility captured on silk scrolls. Marvel at silk-weaving craftsmanship from 18th-19th century Germany - threads woven together forming intricate patterns reminiscent of dreams brought to life. Adornments made from metal reflect German ingenuity during the 19th century - each piece telling its own story through intricate designs.