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Indian marble inlay, (1898). Creator: Unknown
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Indian marble inlay, (1898). Creator: Unknown
Indian marble inlay, (1898). Figs 1 to 9: Marble marquetry from the mausoleums of the Shah Jehan and the Begum Mumtaz-i-Mahal...It is to the [17th century] that the marble-marquetries from the Mogul tombs at Agra belong...These artistically furnished mausoleums were built with white marble, whilst all prominent architectural parts of the structure were ornamented with manifold colored stones, such as jasper, heliotrope, chalcedony, agate etc. Every curved line, every closed bud and opening flower we find represented with a sweet regard to the beauties of nature and besides this all is in thorough harmony with those venerable mosaic technics [techniques]. The Mughal emperor Shah Jahan and his wife Mumtaz Mahal are buried in the Taj Mahal at Agra, India, which Shah Jahan commissioned in 1632. Plate 16a from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19778016
© The Print Collector/Heritage Images
B T Batsford Batsford Bt Batsford Chromolithograph Dolmetsch E Hochdanz H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Inlaid Marble Marquetry Mausoleum Mogul Mughal Stylised Taj Mahal Flowered Hindoostan Interior Decoration Interior Design Pietra Dura
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This print showcases the exquisite Indian marble inlay from the 17th century mausoleums of Shah Jehan and Begum Mumtaz-i-Mahal. The intricate craftsmanship and attention to detail are evident in every curve, bud, and flower depicted with a profound appreciation for nature's beauty. These artistically furnished mausoleums were constructed using white marble, adorned with an array of vibrant colored stones like jasper, heliotrope, chalcedony, agate, among others. The photograph takes us on a visual journey through time as we explore the Mughal tombs at Agra. It transports us to an era when architectural masterpieces were created with reverence for mosaic techniques. The Taj Mahal itself stands as a testament to this remarkable period in history. Commissioned by Emperor Shah Jahan in 1632 as a final resting place for his beloved wife Mumtaz Mahal, the Taj Mahal is renowned worldwide for its grandeur and beauty. This image captures just a glimpse of the magnificence that lies within its walls. Plate 16a from "The Historic Styles of Ornament" translated from German author H. Dolmetsch provides valuable insights into this exceptional art form. The lithograph beautifully preserves these historic designs while showcasing their rich colors and patterns. As we admire this stunning piece of Indian heritage captured by the lens of time, we are reminded of the enduring legacy left behind by those who came before us - their creativity immortalized in stone and forever etched into our collective memory.
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