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Fine Art Print : The Logger, 1912. Artist: Kazimir Malevich

The Logger, 1912. Artist: Kazimir Malevich



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The Logger, 1912. Artist: Kazimir Malevich

The Logger, 1912. Kazimir Severinovich Malevich. Russian painter, born near Kiev, trained at Kiev School of Art and Moscow Academy of Fine Arts in 1913 began creating abstract geometric patterns in style he called suprematism

Heritage Images features heritage image collections

Media ID 19049846

© Art Media / Heritage-Images

Abstract Avant Garde Chopping Effort Firewood Geometric Kasimir Malevich Kazimir Kazimir Malevich Kazimir Malevitch Kazimir Severinovich Kazimir Severinovich Malevich Logging Malevich Malevitch Kazimir


A2 (42x59cm) Fine Art Print

Discover the captivating world of Kazimir Malevich's Fine Art Prints, exclusively available at Media Storehouse. This stunning representation showcases "The Logger," a masterpiece from 1912. Malevich, a pioneering Russian painter, created this work during his formative years, before delving into abstract geometric art. Experience the rich history and artistic innovation in every detail of this exquisite print, a must-have for any discerning art collector.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 42cm x 56.6cm (16.5" x 22.3")

Estimated Product Size is 42cm x 59.4cm (16.5" x 23.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Kazimir Malevich

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Arts > Abstract art > Geometric abstraction

> Arts > Abstract art

> Arts > Artists > M > Kazimir Malevich

> Arts > Artists > M > Kazimir Severinovich Malevich

> Arts > Cubist sculptures > Avant-garde artwork > Abstract art

> Arts > Cubist sculptures > Geometric shapes > Abstract art

> Arts > Still life artwork > Abstract art > Fine art


The Logger, 1912

EDITORS COMMENTS
is a captivating print that showcases the artistic brilliance of Kazimir Malevich, a renowned Russian painter. Born near Kiev and trained at prestigious art institutions in Moscow and Kiev, Malevich embarked on a groundbreaking journey in the early 20th century. This particular artwork reflects his transition into abstract geometric patterns, which he termed suprematism. In this avant-garde masterpiece, Malevich captures the essence of agriculture and industry through an innovative lens. The image portrays a man engaged in the arduous task of chopping firewood amidst a rural landscape. The vibrant colors and bold geometric shapes employed by Malevich infuse dynamism into this otherwise mundane scene. Malevich's work not only celebrates the physical effort put forth by individuals like this logger but also explores deeper concepts such as human connection with nature and labor's role in shaping society. Through his unique style, he challenges traditional artistic norms while simultaneously paying homage to everyday life. This print serves as a testament to Malevich's mastery over oil-based art media and his ability to evoke emotions through color and form. It transports viewers back to early 20th-century Russia, offering them an opportunity to appreciate both the beauty found within manual labor and the transformative power of abstract art.

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