Avant Garde Collection

An Englishman in Moscow, 1913-1914. Artist: Kazimir Malevich
An Englishman in Moscow, 1913-1914. Kazimir Severinovich Malevich (February 23, 1878 - May 15, 1935) was a painter and art theoretician

The Logger, 1912. Artist: Kazimir Malevich
The Logger, 1912. Kazimir Severinovich Malevich. Russian painter, born near Kiev, trained at Kiev School of Art and Moscow Academy of Fine Arts in 1913 began creating abstract geometric patterns in

Woman with a Rake, 1928-1932. Artist: Kazimir Malevich
Woman with a Rake, 1928-1932. Found in the collection of the State Russian Museum, St Petersburg

Portrait of Mikhail Matyushin, 1913. Artist: Kazimir Malevich
Portrait of Mikhail Matyushin, 1913. Found in the collection of the State Tretyakov Gallery, Moscow

Echoes of Bach 1930 (Oil on canvas)
8766544 Echoes of Bach 1930 (Oil on canvas) by Dreier, Katherine Sophie (1877-1952); 72.4--91.4 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

'Au Salon des Independants', caricature from 'L'Amour de l'Art', 1925 (engraving)
CHT382430 'Au Salon des Independants', caricature from 'L'Amour de l'Art', 1925 (engraving) by Guilac

Portrait of Philippe Soupault, March 24, 1980, Paris
SOB4828001 Portrait of Philippe Soupault, March 24, 1980, Paris by Delaunay, Robert (1885-1941); (add.info.: Portrait of Philippe Soupault (1897-1990), March 24, 1980, Paris); © Sophie Bassouls

Abstract Composition 1940 (Oil on cardboard)
8766559 Abstract Composition 1940 (Oil on cardboard) by Gallatin, Albert Eugene (1881-1952); 40--29.8 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

'L'Art Comique', caricature from 'L'Art Vivant', no 1, 1st January 1925 (engraving)
CHT382433 'L'Art Comique', caricature from 'L'Art Vivant', no 1, 1st January 1925 (engraving) by Guilac, Henri (1888-1953); Bibliotheque des Arts Decoratifs, Paris

Platter, c.1874 (glazed earthenware and gilding)
8682906 Platter, c.1874 (glazed earthenware and gilding) by Bracquemond, Felix (1833-1914); The Art Institute of Chicago, IL, USA; (add.info.: by Felix Bracquemond Made by Haviland & Co)

Composition No. 70 1944 (Oil on canvas)
8766552 Composition No. 70 1944 (Oil on canvas) by Gallatin, Albert Eugene (1881-1952); 63.5--76.2 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

'Some recipes to make our own paintings of Marie Laurencin, Picasso, Utrillo'
CHT382432 'Some recipes to make our own paintings of Marie Laurencin, Picasso, Utrillo', caricature on Modern Art from 'L'Amour de l'art', Paris, 1925 (engraving) by Guilac

Inside of the building of Gorizia Posts and Telegraphs
3568641 Inside of the building of Gorizia Posts and Telegraphs by Unknown photographer, (19th century); (add.info.: Gorizia 1932 Date of Artwork: 1931 ca)

Pablo Picasso and Moise Kisling, c.1910 (b/w photo)
992143 Pablo Picasso and Moise Kisling, c.1910 (b/w photo); Private Collection; (add.info.: Moise Kisling, born Mojżesz Kisling (Krakow, January 22, 1891 - Sanary-sur-Mer, April 29)

Aurelien Marie Lugne-Poe (b/w photo)
1629958 Aurelien Marie Lugne-Poe (b/w photo); (add.info.: Aurelien Marie Lugne (27 December 1869 - 19 June 1940), known by his stage-name and pen name Lugne-Poe, was a French actor, theatre director

'Woman with Animals', 1914. Creator: Albert Gleizes
'Woman with Animals', 1914. The seated woman is the wife of Raymond Duchamp-Villon, sculptor who took part in the discussions of the Cubist group at Puteaux.

'Udnie', 1913. Creator: Francis Picabia
'Udnie', 1913. From 1913 to 1915 Picabia traveled to New York City and took an active part in the avant-garde movements, introducing modern art to America

Five composers from 'Les Six', at the Eiffel Tower, 1921 (photo)
GIA2899498 Five composers from 'Les Six', at the Eiffel Tower, 1921 (photo); (add.info.: Les Six (pronounced: [le sis])

Decorative Landscape II, 1891. Creator: Jan Verkade
Decorative Landscape II, 1891

Decorative Landscape I. Creator: Jan Verkade
Decorative Landscape I, unknown date

Chad Gadya (The Tale of the Goat), 1919. Creator: Lazar Markovich Lissitzky
Chad Gadya (The Tale of the Goat), 1919

Cheyne Walk, n.d. Creator: Walter Richard Sickert
Cheyne Walk, n.d

Cat's Cradle, 1892. Creator: Walter Richard Sickert
Cat's Cradle, 1892

The Old Bedford (recto); The Gallery of the Old Bedford (verso), c. 1894. Creator: Walter Richard Sickert
The Old Bedford (recto); The Gallery of the Old Bedford (verso), c. 1894

Exotic Birds, 1915. Artist: Vassily Kandinsky
Exotic Birds, 1915. Found in the collection of the State Tretyakov Gallery, Moscow

Reservist of the First Division, 1914. Artist: Kazimir Malevich
Reservist of the First Division, 1914. Kazimir Severinovich Malevich. Museum of Modern Art, New York, USA

Madame Noir
David Drake

Terra Nr. 08
Djaheda Richers

Terra Nr. 01.1
Djaheda Richers

Untitled (Universal Landscape) from "Poetry of Mayakovsky", 1913 (litho)
1068671 Untitled (Universal Landscape) from "Poetry of Mayakovsky", 1913 (litho) by Malevich, Kazimir Severinovich (1878-1935); 8.1x11.91x cm; Dallas Museum of Art, Texas

Cover for "First Cycle of Lectures Delivered at Crash Courses for Teachers of Drawing", 1920 (litho)
1068639 Cover for "First Cycle of Lectures Delivered at Crash Courses for Teachers of Drawing", 1920 (litho) by Malevich

Small Black Cross, Tilted from "Suprematism: 34 Drawings", 1920 (litho)
1068630 Small Black Cross, Tilted from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Text pages for "On New Systems in Art", 1919 (litho)
1068624 Text pages for "On New Systems in Art", 1919 (litho) by Malevich, Kazimir Severinovich (1878-1935); 22.86x36.51 cm; Dallas Museum of Art, Texas

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068616 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Suprematist Satellites from "Suprematism: 34 Drawings", 1920 (litho)
1068629 Suprematist Satellites from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Schema I - III from "On New Systems in Art", 1919 (litho)
1068626 Schema I - III from "On New Systems in Art", 1919 (litho) by Malevich, Kazimir Severinovich (1878-1935); 73.03x86.36 cm; Dallas Museum of Art, Texas

Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting"
1068615 Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068613 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Cover for "Book of Selected Poems", 1930 (litho)
1068643 Cover for "Book of Selected Poems", 1930 (litho) by Malevich, Kazimir Severinovich (1878-1935); 36.2x49.53 cm; Dallas Museum of Art, Texas

Black Cross from "Suprematism: 34 Drawings", 1920 (litho)
1068638 Black Cross from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Sensation of the Motion and the Obstacle from "Suprematism: 34 Drawings", 1920 (litho)
1068637 Sensation of the Motion and the Obstacle from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 26.67x18.24 cm; Dallas Museum of Art, Texas

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068621 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Black Square from "Suprematism: 34 Drawings", 1920 (litho)
1068636 Black Square from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Three Black and Five Grey Elements from "Suprematism: 34 Drawings", 1920 (litho)
1068634 Three Black and Five Grey Elements from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Untitled (Cow with Viola) for "On New Systems in Art", 1919 (litho)
1068627 Untitled (Cow with Viola) for "On New Systems in Art", 1919 (litho) by Malevich, Kazimir Severinovich (1878-1935); 22.86x19.05 cm; Dallas Museum of Art, Texas

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068620 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

On the Boulevard, 1903. Artist: Kazimir Malevich
On the Boulevard, 1903. Found in the collection of the State Russian Museum, St Petersburg

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"Avant Garde: A Journey through Artistic Innovation" Step into the world of avant-garde, a movement that defied conventions and pushed boundaries. From Kazimir Malevich's enigmatic "Woman with a Rake" to his captivating portrait of Mikhail Matyushin, these artworks challenge our perceptions and invite us to explore new realms. In "The Album, " an oil on canvas masterpiece from 1895, we witness the birth of avant-garde as artists began to break away from traditional norms. The bold strokes and vibrant colors captivate our imagination, leaving us in awe of this artistic revolution. As we delve deeper into this realm, we encounter works like "Madame Noir" and the mesmerizing series titled "Terra Nr. " These pieces transport us to unknown landscapes where reality merges with abstraction. Each stroke tells a story untold before - a testament to the audacity of these artists who dared to venture beyond what was deemed acceptable. Vassily Kandinsky's "Exotic Birds" takes flight with its vivid hues and geometric forms. It epitomizes the essence of avant-garde by embracing pure abstraction while evoking emotions within us that words fail to describe. Malevich's "Reservist of the First Division" captures the turmoil of war through fragmented shapes and distorted perspectives. This artwork serves as a reminder that even amidst chaos, art can transcend boundaries and speak volumes about human experiences. And then there is "An Englishman in Moscow, " an intriguing piece created during turbulent times. Malevich challenges societal norms by blending elements from different cultures, inviting viewers to question their own preconceived notions about identity and belonging. Avant-garde is not just an artistic movement; it is a mindset that encourages exploration, innovation, and self-expression. It invites us all to embrace our individuality while challenging established norms. So let your imagination soar alongside these visionary artists, and let their works inspire you to break free from the confines of convention.