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Ms 422 fol. 22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum)

Ms 422 fol. 22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum)


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Ms 422 fol. 22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum)

XCM203297 Ms 422 fol.22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum) by French School, (13th century); Bibliotheque Municipale, Cambrai, France; (add.info.: death followed by hell; ); French, out of copyright

Media ID 23357620

© Bridgeman Images

Apocalypse Apocalyptic Book Of Revelation Damnation Damned Demon Hell John The Evangelist Judgement Sinners Souls


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EDITORS COMMENTS
This print captures a mesmerizing scene from the 13th-century French manuscript, Ms 422 fol. 22r. Titled "The Opening of the Fourth Seal: Death Riding the Pale Horse" this vellum artwork is truly a masterpiece of medieval artistry. In this haunting depiction, we witness Death himself riding upon a pale horse, as described in the Book of Revelation. The apocalyptic atmosphere is palpable as souls are being judged and damned to eternal damnation. Fire engulfs sinners while demons lurk in the shadows, adding an eerie touch to this macabre tableau. The artist's attention to detail is remarkable; every stroke on the vellum brings forth a sense of foreboding and despair. The figure of Saint John the Evangelist stands witness to this grim spectacle, his face reflecting both awe and fear at what unfolds before him. As we gaze at this image, we are reminded of humanity's mortality and our own inevitable encounter with death. It serves as a poignant reminder that life is fleeting and that our actions have consequences beyond our earthly existence. Brought to us by Bridgeman Images' Fine Art Finder collection, this print allows us to appreciate not only the artistic skill but also delve into deeper contemplations about life's transience and ultimate judgment. A true treasure for any lover of medieval art or those seeking profound reflections on mortality and spirituality.

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