Damnation Collection

Last Judgement, Novgorod Icon (tempera on wood)
3469089 Last Judgement, Novgorod Icon (tempera on wood) by Russian School (15th century); 162x115 cm; Tretyakov Gallery, Moscow

The Garden of Earthly Delights, 1490-1500 (oil on panel)
3107159 The Garden of Earthly Delights, 1490-1500 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: Detail of central panel); Netherlandish, out of copyright

Berlioz Faust Liebig 5
The damnation of Faust : he falls into Hell, while Mephistopheles and his demons celebrate another victory

Music Scores / Berlioz
part of the score of Berliozs La Damnation de Faust, first performed in December 1846, and later turned into an opera

A cautionary story showing damnation of evil souls
5669735 A cautionary story showing damnation of evil souls; (add.info.: Traditional 19th century Russian Illustration depicting a cautionary story showing damnation of evil souls)

The Front piece of the 'Liber Vitae' of New Minster, Winchester
1578296 The Front piece of the 'Liber Vitae' of New Minster, Winchester; (add.info.: The Front piece of the 'Liber Vitae' of New Minster, Winchester)

The three routes to eternity. 19th century French allegorical woodcut
5306230 The three routes to eternity. 19th century French allegorical woodcut; Universal History Archive/UIG.

The Final Judgement. 19th century French allegorical woodcut
5306231 The Final Judgement. 19th century French allegorical woodcut; Universal History Archive/UIG.

God on the Day of Judgment, with Saint John, sending naked sinners to be herded by demons into the mouth of Hell to be
FLO4974701 God on the Day of Judgment, with Saint John, sending naked sinners to be herded by demons into the mouth of Hell to be tormented

Last Judgement, 1600-1649. Creator: Anon
Last Judgement, 1600-1649

Esquisse pour l'église de Saint-Germain-des-Prés : Le Jugement Dernier, c.1872
Esquisse pour l'eglise de Saint-Germain-des-Pres : Le Jugement Dernier, c.1872. Sketch for the Saint-Germain-des-Pres church in Paris. The Last Judgment

Minos
In Greek mythology, Minos was a mythical king of Crete, son of Zeus and Europa. After his death, Minos became a judge of the dead in Hades. Engraving from 1870

Aeneas and the Sibyl in the Underworld, 1630s. Creator: Jan Brueghel the younger
Aeneas and the Sibyl in the Underworld, 1630s

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Artist: Gustave Dore
Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil

Triptych with the Triumph of Death and the Last Judgement by
Renaissance. Triptych with the Triumph of Death and the Last Judgement by Hermann Tom Ring (1521-1596), around 1550. Museum Catharijneconvent. Utrecht. Netherlands. Detail

Footpath through Redwood trees and Pacific Rhododendron in fog, Redwood National Park, California, Damnation trail. Date: 25-12-2006

Detail of the Last Judgement, 1551 (oil on panel)
489992 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

The Last Judgement, 1525 (oil on panel)
490011 The Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); 145x169 cm; Groeningemuseum, Bruges, Belgium; (add.info)

The Last Judgement, 1551 (oil on panel)
489991 The Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 228.5x181 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

The Fall of the Rebel Angels, 1554 (oil on panel)
471159 The Fall of the Rebel Angels, 1554 (oil on panel) by Floris, Frans (1519-70); 303x220 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Poster advertising a production in Paris of La Damnation de Faust by Hector Berlioz, c. 1910 (colour lithograph)
485192 Poster advertising a production in Paris of La Damnation de Faust by Hector Berlioz, c.1910 (colour lithograph) by Dola, Georges

Ms L III 17 Scene of hell, from Inferno by Dante Alighieri (1265-1321) (vellum)
XIR246485 Ms L III 17 Scene of hell, from Inferno by Dante Alighieri (1265-1321) (vellum) by Italian School, (15th century); Biblioteca Nazionale, Turin, Italy

The Shade, conceived c. 1880, cast c. 1925-27 (bronze)
833322 The Shade, conceived c.1880, cast c.1925-27 (bronze) by Rodin, Auguste (1840-1917); 193x100 cm; Private Collection; (add.info)

The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)
3493064 The Crucifixion; The Last Judgment, c.1440-41 (oil on canvas transferred from wood) by Eyck, Jan van (c.1390-1441); 56.5x19.7 cm; Metropolitan Museum of Art, New York, USA; Netherlandish

Fourth: Lazarus describes what hes seen in hell - a horrible basket containing
876391 Fourth: Lazarus describes what hes seen in hell - a horrible basket containing snakes, biting and attacking bodies (litho)

Fresco on the walls of St. Johns Church, showing part of the Last Judgement
2831872 Fresco on the walls of St. Johns Church, showing part of the Last Judgement (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Christ in the Realm of the Dead, 1891-94 (oil on canvas)
1273900 Christ in the Realm of the Dead, 1891-94 (oil on canvas) by Skovgaard, Joakim (1856-1933); 351.5x489 cm; Statens Museum for Kunst, Copenhagen

The Damned, from the Last Judgement (fresco) (b / w photo) (see 136323)
ALI136322 The Damned, from the Last Judgement (fresco) (b/w photo) (see 136323) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; Alinari

The Last Judgement, engraved by Charles Mottram (1807-76) pub
Ma103970 The Last Judgement, engraved by Charles Mottram (1807-76) pub. by Thomas McLean, 1856 (engraving) by Martin, John (1789-1854) (after)

Ms 422 fol. 22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum)
XCM203297 Ms 422 fol.22r The Opening of the Fourth Seal: Death Riding the Pale Horse (vellum) by French School, (13th century); Bibliotheque Municipale, Cambrai

Ms 55 t. 2 fol. 290v Hell, from De Civitate Dei by St
XIR182983 Ms 55 t.2 fol.290v Hell, from De Civitate Dei by St. Augustine of Hippo (354-430) translated by Raoul de Presles, c.1400-50 (vellum) by French School

The Last Judgement, central panel of a triptych, 1555 (oil on panel) (detail of 232608)
XAV232607 The Last Judgement, central panel of a triptych, 1555 (oil on panel) (detail of 232608) by Leyden, Aertgen Claesz van (1498-1564); Musee des Beaux-Arts, Valenciennes, France; Netherlandish

Witches and wolves, illustration for The Damnation of Faust
GIA3511921 Witches and wolves, illustration for The Damnation of Faust by Berlioz (w/c on paper) by Neuville, Alphonse Marie de (1835-85); Bibliotheque de l Opera Garnier, Paris

Gretchen in the Cathedral, c. 1850 (oil on canvas)
3959949 Gretchen in the Cathedral, c.1850 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 56.1 x 46.6 cm; Kunstmuseum, Basel, Switzerland; (add.info.: In " Faust)

Plate 8, from The Life of William Cobbett, written by himself, pub. by H
XJF129852 Plate 8, from The Life of William Cobbett, written by himself, pub. by H. Humphrey, 1809 (etching) (b/w photo) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Detail from the Last Judgement, Sistine Chapel (fresco)
ALI405727 Detail from the Last Judgement, Sistine Chapel (fresco) by Buonarroti, Michelangelo (1475-1564); Vatican Museums and Galleries

The Torments of Hell (fresco)
702440 The Torments of Hell (fresco) by Koch, Joseph Anton (1768-1839); Casino Massimo, Rome, Italy; (add.info.: Part of a cycle of frescoes based on Dante Alighieris Divine Comedy.); German

The Last Judgement: Hell, detail of one of the damned taken by two demons, c. 1303-05 (fresco)
ALI221330 The Last Judgement: Hell, detail of one of the damned taken by two demons, c.1303-05 (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

Vision of the Deluge, from Paradise Lost by John Milton (1608-74
AGN252235 Vision of the Deluge, from Paradise Lost by John Milton (1608-74) (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 254x210 cm; Private Collection; (add.info)

Ms Fr 22912 Fol. 2v Detail of Hell, from The City of God
BNP159944 Ms Fr 22912 Fol.2v Detail of Hell, from The City of God by Saint Augustine (354-430) translated by Raoul de Presles (1316-82) c.1400-50 (vellum) by French School

Ultima etas Mundi (The Last Judgement) from Liber Chronicarum
810292 Ultima etas Mundi (The Last Judgement) from Liber Chronicarum by Hartmann Schedel, 1493 (woodcut) by German School

Depiction of hell (engraving)
3620522 Depiction of hell (engraving) by European School, (18th century); Private Collection; (add.info.: Depiction of hell.); © Look and Learn

Ye Damned, detail from The Last Judgement, c. 1864 (stained glass)
3474756 Ye Damned, detail from The Last Judgement, c.1864 (stained glass) by Bayne, Robert Turnill (1837-1915); Church of St Luke, Torquay, UK; (add.info.: Manufactured by Heaton)

All Professionally Made to Order for Quick Shipping

"Damnation: A Journey Through the Depths of the Soul" Embark on a profound exploration of damnation, where art and literature intertwine to depict humanity's eternal struggle between sin and salvation. From the haunting Last Judgement scenes in Novgorod Icon, with its vivid tempera strokes on wood, to Hieronymus Bosch's enigmatic The Garden of Earthly Delights, which delves into the depths of human desires in oil on panel. The captivating melodies of Berlioz Faust Liebig 5 echo through time as music scores transport us to a realm where temptation lingers. As we gaze upon Triptych with the Triumph of Death and the Last Judgement by an unknown master, we witness death's relentless grip on mortal souls. Intriguingly depicted is Gustave Dore's illustration for Inferno by Dante Alighieri Canto XVIII lines 116 and 117. Here, Dore's meticulous craftsmanship brings forth a chilling vision of souls trapped in eternal torment. Jan Brueghel the younger invites us into Aeneas' journey through the Underworld alongside Sibyl. Their encounter with damned spirits serves as a reminder that even heroes face trials beyond mortal comprehension. William-Adolphe Bouguereau captures Dante and Virgil amidst Hell's fiery abyss, their faces etched with both fear and determination. Meanwhile, Gustave Dore portrays them at Hell's edge, where an ominous stench permeates from below—a testament to mankind’s darkest impulses. Through these artistic masterpieces spanning centuries, we are confronted with our own mortality and compelled to reflect upon our choices—those that lead either towards redemption or everlasting damnation. In this visual symphony resonating across time and space, may we find solace or warning within each stroke of paint or note played—a poignant reminder that our actions shape not only our present but also our eternal fate.