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Shakers near Lebanon, c. 1830 (hand-coloured lithograph)
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Shakers near Lebanon, c. 1830 (hand-coloured lithograph)
3526219 Shakers near Lebanon, c.1830 (hand-coloured lithograph) by Currier, Nathaniel (1813-88); 20.64x32.7 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; (add.info.: Mount Lebanon Shaker Community, Lebanon Springs, New York State at their meeting where they shook off the sin and trampled evil under foot ; a Protestant religious denomination (officially called the United Society of Believers in Christs Second Appearing) originated in Manchester under Mother Ann Lee in 1772 who moved the 9-person group to New York in 1774 to escape persecution
); American, out of copyright
Media ID 23619616
© Bridgeman Images
Belief Colonies Congregation Sect Shaker Shakers Worship Believers
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EDITORS COMMENTS
This hand-coloured lithograph captures a significant moment in the history of the Shakers, a Protestant religious denomination known as the United Society of Believers in Christ's Second Appearing. Taken near Lebanon Springs, New York State around 1830, this image showcases the Mount Lebanon Shaker Community during one of their meetings. In this scene, we witness members of the community engaging in a ritualistic dance where they "shake off sin and trample evil underfoot". The congregation is filled with both male and female believers wearing traditional hats, coming together to partake in spiritual cleansing and worship. The Shakers believed in communal living and strict celibacy, emphasizing simplicity and equality among their followers. Founded by Mother Ann Lee in Manchester, England back in 1772, she led her small group to America seeking refuge from persecution. This engraving serves as a testament to their strong faith and commitment to their beliefs despite facing adversity. The Corcoran Collection at the National Gallery of Art in Washington D. C. , USA houses this remarkable piece that offers us an insight into colonial American Christianity. It portrays not only a religious ceremony but also highlights family ties within the sect as several families are seen participating together. This print stands as a historical record capturing an important moment for both American religious history and art enthusiasts alike.
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