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Pieta, modelletto for the altarpiece in the cathedral at Reggio Emilia, 1612
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Pieta, modelletto for the altarpiece in the cathedral at Reggio Emilia, 1612
JFS81275 Pieta, modelletto for the altarpiece in the cathedral at Reggio Emilia, 1612 by Palma Il Giovane (Jacopo Negretti) (1548-1628); 128x106 cm; Museo Civico, Reggio Emilia, Italy; eJohn Ferro Sims; Italian, out of copyright
Media ID 22807000
© John Ferro Sims / Bridgeman Images
Cherubim Chiaroscuro Counter Reformation Crown Of Thorns Flaming Torch Night Scene Putti Cherub Cherubs
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EDITORS COMMENTS
This print showcases Palma Il Giovane's "Pieta, modelletto for the altarpiece in the cathedral at Reggio Emilia" from 1612. The artwork, measuring 128x106 cm, is housed in the Museo Civico in Reggio Emilia, Italy. Captured by John Ferro Sims, this image beautifully captures the essence of Italian Renaissance art. In this masterpiece, Palma Il Giovane depicts a poignant scene of grief and mourning. The central figure of Mary cradles her lifeless son Jesus after his crucifixion. Adorned with a crown of thorns and holding a flaming torch symbolizing divine light amidst darkness, Jesus' body lies limp on Mary's lap. The artist skillfully employs chiaroscuro to create dramatic contrasts between light and shadow, enhancing the emotional impact of the composition. Surrounding them are cherubs and putti - angelic beings that serve as messengers or guardians - adding an ethereal quality to the scene. Palma Il Giovane's work reflects elements of Counter-Reformation art prevalent during this period in history. Through his meticulous brushwork and attention to detail, he conveys profound religious devotion while evoking empathy from viewers. This print not only preserves an iconic piece from Italian art history but also invites contemplation on themes such as sacrifice, redemption, and human suffering. It serves as a testament to Palma Il Giovane's talent as well as John Ferro Sims'
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