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The Nuptial Bower with the Evil-One peeping at the Charms of Eden
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The Nuptial Bower with the Evil-One peeping at the Charms of Eden
NCO191216 The Nuptial Bower with the Evil-One peeping at the Charms of Eden, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); 25.5x35.5 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Prime Minister William Pitt (1759-1806) showing his riches to his potential wife; Charles James Fox (1749-1806) as a demon; ); English, out of copyright
Media ID 22340032
© Bridgeman Images
7 Deadly Sins Anger Angry Bliss Blushing Cherubim Clenched Fists Crowns Delicate Demonic Devil Evil Finery Furious Furor Grapes Grove Hanoverian Heaven Income Lover Lurking Maiden Paradise Political Satire Promises Proposal Putti Rage Satanic Seven Deadly Sins Showing Off Spying Vine Cherub Cherubs Feeling Gritting Lovers Monster
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The Nuptial Bower with the Evil-One peeping at the Charms of Eden
EDITORS COMMENTS
is a captivating and satirical print that captures a moment of political intrigue and romantic entanglement. Created by James Gillray in 1797, this hand-coloured etching offers a glimpse into the world of Georgian politics and love. In this scene, we see Prime Minister William Pitt showcasing his wealth to his potential bride, while Charles James Fox takes on the role of a mischievous demon lurking in the background. The image portrays Pitt as an elegant statesman, adorned with a crown and surrounded by sacks of money and grapes symbolizing his income and promises of prosperity. Meanwhile, Fox's demonic presence adds an element of danger to this otherwise idyllic setting. His clenched fists and gnashing teeth hint at his sinister intentions towards Pitt's lady love. As she blushes delicately under her headdress, unaware of the evil presence behind her, tension builds within the frame. Gillray's masterful use of satire highlights not only political power dynamics but also explores themes such as wealth disparity and temptation. This print serves as both social commentary and entertainment for its audience during that time period. "The Nuptial Bower with the Evil-One peeping at the Charms of Eden" remains an intriguing piece that invites viewers to delve into its layers of meaning while appreciating Gillray's artistic skill in capturing emotion through caricature.
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