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Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles James Fox personifying vice and William Pitt the Younger representing virtue, 1798 (engraving)
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Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles James Fox personifying vice and William Pitt the Younger representing virtue, 1798 (engraving)
5997523 Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles James Fox personifying vice and William Pitt the Younger representing virtue, 1798 (engraving) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles James Fox personifying vice and William Pitt the Younger representing virtue, 1798. Illustration from Caricature History of the Georges or, Annals of the House of Hanover, Compiled from the Squibs, Broadsides, Window Pictures, Lampoons and Political Caricatures of the Time, by Thomas Wright (John Cmden Hotten, Piccadilly, London, c1867).); © Look and Learn
Media ID 22328956
© Look and Learn / Bridgeman Images
Alternatives Charles James Fox Choice Hanoverian Late 18th Century Tories Tory Vice Virtue Whigs William Pitt The Younger
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This print titled "Two Pair of Portraits" is a remarkable anti-Whig cartoon from 1798. Created by the talented artist James Gillray, this engraving depicts John Henry Tooke alongside portraits of Charles James Fox and William Pitt the Younger. The artwork serves as a scathing satire, with Fox personifying vice and Pitt representing virtue. The composition is part of the Caricature History of the Georges or Annals of the House of Hanover, compiled by Thomas Wright in 1867. It showcases Gillray's mastery in capturing political figures and their ideologies through his satirical drawings. In this piece, viewers are presented with an intriguing visual representation that invites contemplation on political alternatives and choices. The stark contrast between Fox's portrayal as a symbol of vice and Pitt's depiction as a virtuous figure highlights the underlying themes within British politics during late 18th century. Gillray's work has always been known for its clever humor and biting commentary on politicians and society at large. This particular artwork stands as a testament to his artistic prowess in creating thought-provoking pieces that continue to resonate even today. As we delve into this historical masterpiece, we are reminded once again of how art can serve not only as entertainment but also as a powerful tool for social critique.
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