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Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world

Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world


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Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world

5979507 Ms 315. Horace, Ars Poetica and Epistulae, f.1v. T-O Map of the world, with a tower representing Jerusalem, 14th Century (parchment) by Italian School, (14th century); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; (add.info.: Illuminator: Anonymous (Florence? 14th Century)
Egypt shown to be in Asia); Italian, out of copyright

Media ID 22329518

© Bridgeman Images

Horace Jerusalem Fourteenth Century


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EDITORS COMMENTS
This print showcases a remarkable piece of history, the Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world from the 14th century. Created by an anonymous illuminator, possibly from Florence, this manuscript transports us back in time to a period when cartography was still in its infancy. The map itself is a fascinating depiction of the world as it was understood during that era. The distinctive T-O shape divides the continents into three sections: Asia at the top, Europe on the left, and Africa on the right. Notably, Egypt is shown as part of Asia rather than Africa. Intriguingly, rising prominently from within this intricate map is a tower symbolizing Jerusalem - a city deeply significant to multiple religions and cultures throughout history. Its presence serves as a reminder of its central role in shaping human civilization. Through this print provided by Bridgeman Images with kind permission from The Earl of Leicester and Trustees of Holkham Estate, we are granted access to an invaluable artifact that offers insights into medieval perspectives on geography and religious symbolism. As we gaze upon this image captured on parchment centuries ago by Italian artists whose identities remain unknown but whose artistry endures through time – let us appreciate their skillful craftsmanship while contemplating how our understanding of both maps and cultural boundaries has evolved over centuries.

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