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Framed Print : Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world

Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world



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Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world

5979507 Ms 315. Horace, Ars Poetica and Epistulae, f.1v. T-O Map of the world, with a tower representing Jerusalem, 14th Century (parchment) by Italian School, (14th century); By kind permission of the Earl of Leicester and the Trustees of the Holkham Estate; (add.info.: Illuminator: Anonymous (Florence? 14th Century)
Egypt shown to be in Asia); Italian, out of copyright

Media ID 22329518

© Bridgeman Images

Horace Jerusalem


14"x12" (38x32cm) Modern Frame

Transform your space into a captivating gallery with the Media Storehouse Framed Prints featuring the exquisite 14th Century parchment, Ms 315. Horace, Ars Poetica and Epistulae, f.1v. T-O Map of the World. This magnificent work by the Italian School showcases a T-O Map of the world with a tower representing Jerusalem. Each print is meticulously framed to preserve the intricate details and rich colors of the original piece. Bring the beauty of ancient art into your home or office and make a statement with these stunning Framed Prints.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 21.2cm x 24.4cm (8.3" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Italian School

> Africa > Egypt > Maps

> Africa > Egypt > Related Images

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Florence

> Europe > Italy > Maps

> Europe > Italy > Posters

> Europe > Italy > Tuscany > Florence

> Maps and Charts > Italy

> Maps and Charts > Related Images

> Maps and Charts > World


EDITORS COMMENTS
This print showcases a remarkable piece of history, the Ms 315. Horace, Ars Poetica and Epistulae, f. 1v. T-O Map of the world from the 14th century. Created by an anonymous illuminator, possibly from Florence, this manuscript transports us back in time to a period when cartography was still in its infancy. The map itself is a fascinating depiction of the world as it was understood during that era. The distinctive T-O shape divides the continents into three sections: Asia at the top, Europe on the left, and Africa on the right. Notably, Egypt is shown as part of Asia rather than Africa. Intriguingly, rising prominently from within this intricate map is a tower symbolizing Jerusalem - a city deeply significant to multiple religions and cultures throughout history. Its presence serves as a reminder of its central role in shaping human civilization. Through this print provided by Bridgeman Images with kind permission from The Earl of Leicester and Trustees of Holkham Estate, we are granted access to an invaluable artifact that offers insights into medieval perspectives on geography and religious symbolism. As we gaze upon this image captured on parchment centuries ago by Italian artists whose identities remain unknown but whose artistry endures through time – let us appreciate their skillful craftsmanship while contemplating how our understanding of both maps and cultural boundaries has evolved over centuries.

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