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Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787)

Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787)


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Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787)

WDM267781 Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787) by Morgan, William De (1839-1917); diam: 36.8 cm; De Morgan Collection, courtesy of the De Morgan Foundation; (add.info.: Charger with concentric circles of white, light blue and dark blue; Sands End Pottery; Arts and Crafts Movement; ); eDe Morgan Foundation; English, out of copyright

Media ID 23177890

© De Morgan Foundation / Bridgeman Images

Dish Plate


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EDITORS COMMENTS
This print showcases a stunning ceramic charger painted by the talented artist Charles Passenger between 1888 and 1897. The artwork, which measures approximately 36.8 cm in diameter, is part of the esteemed De Morgan Collection and is currently under the care of the De Morgan Foundation. The charger features an exquisite design consisting of concentric circles in shades of white, light blue, and dark blue. This mesmerizing color palette creates a sense of depth and movement within the piece, drawing viewers into its intricate details. Crafted at Sands End Pottery during the height of the Arts and Crafts Movement, this charger exemplifies the artistic principles championed by William De Morgan himself. Its elegant yet organic design reflects a commitment to craftsmanship and aesthetic beauty that defined this influential artistic period. As we admire this remarkable work of art captured through photography, it becomes evident why it holds such historical significance. It serves as a testament to both Charles Passenger's talent as an artist and his contribution to Victorian-era ceramics. Thanks to Bridgeman Images' dedication to preserving fine art history, we can now appreciate this Charger's timeless beauty from anywhere in the world. Let us immerse ourselves in its delicate brushstrokes and marvel at how it effortlessly bridges past with present through its enduring allure.

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