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Premium Framed Print : Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787)

Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787)



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Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787)

WDM267781 Charger, painted by Charles Passenger, 1888-97 (ceramic) (reverse of 267787) by Morgan, William De (1839-1917); diam: 36.8 cm; De Morgan Collection, courtesy of the De Morgan Foundation; (add.info.: Charger with concentric circles of white, light blue and dark blue; Sands End Pottery; Arts and Crafts Movement; ); eDe Morgan Foundation; English, out of copyright

Media ID 23177890

© De Morgan Foundation / Bridgeman Images

Dish Plate


31"x27" (79x69cm) Premium Frame

FSC real wood frame with double mounted 24x20 print. Double mounted with white conservation mountboard. Frame moulding comprises stained composite natural wood veneers (Finger Jointed Pine) 39mm wide by 21mm thick. Archival quality Fujifilm CA photo paper mounted onto 1mm card. Overall outside dimensions are 31x27 inches (787x685mm). Rear features Framing tape to cover staples, 50mm Hanger plate, cork bumpers. Glazed with durable thick 2mm Acrylic to provide a virtually unbreakable glass-like finish. Acrylic Glass is far safer, more flexible and much lighter than typical mineral glass. Moreover, its higher translucency makes it a perfect carrier for photo prints. Acrylic allows a little more light to penetrate the surface than conventional glass and absorbs UV rays so that the image and the picture quality doesn't suffer under direct sunlight even after many years. Easily cleaned with a damp cloth. Please note that, to prevent the paper falling through the mount window and to prevent cropping of the original artwork, the visible print may be slightly smaller to allow the paper to be securely attached to the mount without any white edging showing and to match the aspect ratio of the original artwork.

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 54cm x 59.9cm (21.3" x 23.6")

Estimated Product Size is 68.5cm x 78.7cm (27" x 31")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henry Alexander (after) Ogden

> Fine Art Finder > Artists > William De Morgan

> Fine Art Finder > Ceramics: British

> Arts > Artists > C > William Charles

> Arts > Artists > W > Charles White

> Arts > Artists > W > William White


EDITORS COMMENTS
This print showcases a stunning ceramic charger painted by the talented artist Charles Passenger between 1888 and 1897. The artwork, which measures approximately 36.8 cm in diameter, is part of the esteemed De Morgan Collection and is currently under the care of the De Morgan Foundation. The charger features an exquisite design consisting of concentric circles in shades of white, light blue, and dark blue. This mesmerizing color palette creates a sense of depth and movement within the piece, drawing viewers into its intricate details. Crafted at Sands End Pottery during the height of the Arts and Crafts Movement, this charger exemplifies the artistic principles championed by William De Morgan himself. Its elegant yet organic design reflects a commitment to craftsmanship and aesthetic beauty that defined this influential artistic period. As we admire this remarkable work of art captured through photography, it becomes evident why it holds such historical significance. It serves as a testament to both Charles Passenger's talent as an artist and his contribution to Victorian-era ceramics. Thanks to Bridgeman Images' dedication to preserving fine art history, we can now appreciate this Charger's timeless beauty from anywhere in the world. Let us immerse ourselves in its delicate brushstrokes and marvel at how it effortlessly bridges past with present through its enduring allure.

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