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Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna
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Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna
1196946 Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna, in the Year 1788, to Meet Lord Cornwallis, c. 1800 (charcoal, pen and black ink, etched base, mezzotint) by Zoffany, Johann (1733-1810); 53.5x67.5 cm; Private Collection; Photo eChristies Images; English, out of copyright
Media ID 22530176
© Christie's Images / Bridgeman Images
1780s 1788 1800 1800s Active Activity Armed Artist German Black Ink Busy Calcutta Carrying On Head Charcoal Early 19th Century Early Nineteenth Century Elephant Embassy English Art English Artist Engraved Firearm German Art German Artist Howdah In Ink Indian Ethnicity Ink Drawing Islamic Art Johann Zoffany Large Group Late 18th Century Late Eighteenth Century Mezzotint Neo Classic Neo Classicism Neoclassic Neoclassical Art Neoclassicism On The Move On The Road Patna Physical Activity Pistol Printed Prints Shooter Touring Transit Two Animals Walker Artist British British Artist Earlom Ethnic Origin Occupation Richard Earlom Robert Laurie Stroll Strolling Zoffany
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Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna
EDITORS COMMENTS
is a captivating artwork that takes us back in time to the late 18th century. Created by German artist Johann Zoffany, this neoclassical masterpiece showcases a bustling scene filled with rich details and a diverse range of characters. The composition depicts a large group of people embarking on an important journey. The central focus is on two prominent figures - the Vizier of Oude and Lord Cornwallis - who are meeting in Calcutta. Surrounding them are men and women from different ethnic backgrounds, reflecting the cultural diversity of India during that era. Zoffany's meticulous attention to detail is evident in his use of charcoal, pen and black ink. The etched base adds depth to the artwork while the mezzotint technique enhances its overall texture. As we observe this vibrant scene unfold before our eyes, we can almost hear the sounds and feel the energy emanating from these individuals as they prepare for their expedition. Armed with pistols and other weapons, they exude determination and purpose. This print not only captures a specific moment in history but also serves as a testament to Zoffany's skillful portrayal of human activity within his art. It offers us a glimpse into an era where diplomacy met adventure against an exotic backdrop that was both foreign yet intriguingly familiar.
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