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Pendant with the Virgin and Child, c. 1160-1170 (gilded copper
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Pendant with the Virgin and Child, c. 1160-1170 (gilded copper
491118 Pendant with the Virgin and Child, c.1160-1170 (gilded copper, champleveenamel; the reverse decorated in vernis brun) by Huy, Godefroid de (fl.1130-50) (circle of); h:19.83 w:16.98 d:3.18 cm; Cleveland Museum of Art, OH, USA; (add.info.: This pendant was made in the Rhine-Meuse region - now in modern Belgium - renowned for the production of fine metalwork objects, especially enamels. An enamel plaque depicting the enthroned Virgin and Christ child dominates the pendant. Four peripheral enamels depict angelic figures representing virtues: Humility, Virginity, Piety, and Mercy, each identified by an inscription. The pendant may have been made to serve as a reliquary to house a consecrated host. The refined craftsmanship and costly materials fittingly honour these sacred remains.
); Purchase from the J. H. Wade Fund; Netherlandish, out of copyright
Media ID 23253604
© Purchase from the J. H. Wade Fund / Bridgeman Images
C12th Enamel Enthroned Mother And Child Ornament Reliquary
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EDITORS COMMENTS
This exquisite pendant, created by the skilled hands of Godefroid de Huy in the 12th century, is a true masterpiece of religious art. Crafted from gilded copper and adorned with champlevé enamel, it showcases the Virgin Mary and her divine child in all their glory. The central enamel plaque depicts the enthroned Virgin and Christ child, radiating an aura of serenity and grace. Surrounding them are four peripheral enamels portraying angelic figures representing virtues: Humility, Virginity, Piety, and Mercy. Each figure is identified by an inscription, adding a layer of symbolism to this ornate piece. Believed to have been made as a reliquary for housing a consecrated host, this pendant holds great significance within its delicate frame. Its refined craftsmanship and use of costly materials reflect the reverence bestowed upon these sacred remains. Originating from the Rhine-Meuse region (modern-day Belgium), renowned for its production of fine metalwork objects and enamels, this pendant exemplifies the artistic prowess that flourished during that era. Now housed at the Cleveland Museum of Art in Ohio, USA after being acquired through the J. H. Wade Fund's purchase; this remarkable relic continues to captivate viewers with its intricate details and spiritual beauty. A testament to devotion and skillful artistry alike - it stands as a timeless reminder of faith's enduring power.
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