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Cleveland Gallery

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Cleveland, England, United Kingdom in Europe

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Gisborough Priory IC043_001 Featured Cleveland Print

Gisborough Priory IC043_001

GISBOROUGH PRIORY, Guisborough, Cleveland. Reconstruction drawing by Terry Ball depicting an aerial view of Gisborough Priory, as seen from the south-west and as it may have appeared in the early fifteenth century

© Historic England Archive

Graphic, Illustration, Medieval, Religion

The Eight Hosts of Deva, Naga, and Yakshi, 1454. Creator: Unknown Featured Cleveland Print

The Eight Hosts of Deva, Naga, and Yakshi, 1454. Creator: Unknown

The Eight Hosts of Deva, Naga, and Yakshi, 1454. The grandest of the Buddhist mortuary rites is the Water-Land ( shuilu ) ritual. This esoteric ceremony is conducted for the salvation of "all souls of the dead on land and sea." The ostentatious ritual was performed for imperial ancestors and high officials from the Song (960-1279) to the Ming dynasties and drew large crowds. On the second day of the weeklong ceremony, paintings are hung in the inner altar. This scroll represents the Eight Hosts of Celestial Nagas and Yakshis as described in the Lotus Sutra . Together with the scroll nearby, it belongs to a set of 36 Water-Land ritual paintings that are the finest works of their types known from the Ming period. With their bright, opaque colour and fine-line gilt decoration intact and unfaded, both paintings share a remarkable state of preservation

© Heritage Art/Heritage Images

Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828) Featured Cleveland Print

Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)

Saint Ambrose, c. 1796-1799. This work belongs to a series depicting Ambrose, Jerome, Augustine, and Gregory, key figures of early Catholicism. Saint Ambrose (about AD 340-391), the bishop of Milan, resolved important theological conflicts within the church and worked effectively with advocates of Roman paganism. The low viewpoint and large scale suggest that this painting hung high on the wall of a religious institution, but its original location remains unknown. In the late 1700s, Spain expelled all the Jesuits and sparked a transformation of the church. Many of these reformers turned back to early church history for inspiration, and this painting was probably commissioned by one of these new organizations

© Heritage Art/Heritage Images