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Old Court House Street Looking South from the Views of Calcutta, 1788 (aquatint
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Old Court House Street Looking South from the Views of Calcutta, 1788 (aquatint
5973714 Old Court House Street Looking South from the Views of Calcutta, 1788 (aquatint, ink & w/c on paper) by Daniell, Thomas (1749-1840) & William (1769-1837); 44.5x56.8 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Here, as in so many of their prints, Thomas and William Daniell contrast the European-style architecture of colonial Calcutta with its eclectic population by delineating the stately structures precisely while rendering the inhabitants with a more fluid line. If their depiction of the large mansions of East India Company agents and wealthy merchants appealed to British pride, their inclusion of natives, such as the ascetic leaning upon his staff visible in the midst of the broad avenue, spoke to British fascination with their " exotic" subjects.); Arthur M. Sackler Gallery, Smithsonian Institution; Gift of Lee and Roy Galloway; English, out of copyright
Media ID 23009184
© Arthur M. Sackler Gallery, Smithsonian Institution Gift of Lee and Roy Galloway / Bridgeman Images
British Empire British Raj Colony Company School Courthouse East India Company Kolkata Mughal Settlement Traffic
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The aquatint print titled "Old Court House Street Looking South from the Views of Calcutta, 1788" captures the essence of colonial Calcutta in a mesmerizing way. Created by Thomas and William Daniell, this artwork beautifully juxtaposes European-style architecture with an eclectic population. The precision in detailing the stately structures is evident, while the inhabitants are depicted with a more fluid line. As you delve into this scene, your eyes are drawn to the large mansions belonging to East India Company agents and wealthy merchants. These grand buildings evoke British pride and signify their imperial presence in India. However, it is equally fascinating to observe how the Daniells incorporate native individuals into their composition. Amidst the broad avenue stands an ascetic figure leaning upon his staff, representing one of many indigenous people living amidst colonial influence. This inclusion speaks volumes about British fascination with their "exotic" subjects and reflects their curiosity towards local customs and traditions. The bustling street scene showcases a vibrant settlement that thrives under British rule. With its busy road filled with traffic and urban energy, this cityscape offers a glimpse into daily life during Kolkata's early years as a colony. Displayed at Arthur M. Sackler Gallery in Smithsonian Institution, USA, this historic print serves as a testament to both artistic skill and cultural exchange between two worlds during the era of British Raj.
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