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Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan

Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan


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Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan

CHT287236 Don Juan and the Commendatore, illustration from Act IV Scene 12 of Don Juan, or Le Festin de Pierre by Moliere, 1815 (litho) (b/w photo) by Barathier (19th century); Private Collection; (add.info.: turned into opera Don Giovanni by Mozart (1756-91); Commandeur; Jean-Baptiste Poquelin (1622-73); ); eArchives Charmet; French, out of copyright

Media ID 22943308

© Archives Charmet / Bridgeman Images

Commander Feather Feathered Feathers Half Nude Plumed Helmet Sganarelle Stage Set Theatrical Valet Characters


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EDITORS COMMENTS
This print transports us to Act IV Scene 12 of the renowned play "Don Juan" or "Le Festin de Pierre" by Moliere. The illustration, created in 1815 by Barathier, captures a pivotal moment in the story where Don Juan encounters the imposing figure of the Commendatore. The scene is filled with theatrical flair as we witness Don Juan, portrayed half-nude and adorned with an extravagant plumed helmet, standing beside his loyal servant Sganarelle. Both characters are beautifully captured in this lithograph, their expressions conveying a mix of intrigue and apprehension. The attention to detail is remarkable; from the feathered costumes to the intricately designed stage set, every element adds depth and authenticity to this dramatic moment. The statue-like figure of the Commandeur looms over them, serving as a haunting reminder of Don Juan's reckless actions. This iconic image has transcended its original medium and was later adapted into Mozart's opera "Don Giovanni". It showcases Jean-Baptiste Poquelin's timeless work that continues to captivate audiences centuries later. As we gaze upon this mesmerizing print from Fine Art Finder's private collection, we are reminded of the power of art to bring stories alive on canvas. This engraving serves as a testament to both Moliere's genius storytelling and Barathier's artistic skill in capturing such complex emotions within a single frame.

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