Literature Gallery
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Fine Art Finder
> Literature

Robinson Crusoe and Man Friday (oil on canvas)
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Mephistopheles Prologue in the Sky, from Goethes Faust, 1828, (illustration)
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Little Wooden Midshipman shop sign, c.1750 (wood)
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The Six Winged Seraph, from The Prophet, by Alexander Pushkin (1799-1837)
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Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
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Illustration for the poem "The crow" by Edgar Allan Poe, 1845 (engraving)
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The Odyssey by Homer : the rock of Gortyne, engraved by Theo Schmied, 1930-33 (colour litho)
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Illustration of novel "Les Natchez" by Francois Rene de Chateaubriand, 1851 (engraving)
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Illustration of novel "Les Natchez" by Francois Rene de Chateaubriand, 1851 (engraving)
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Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving)
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Little Wooden Midshipman shop sign, c.1750 (wood)
3071350 Little Wooden Midshipman shop sign, c.1750 (wood) by English School, (18th century); 85.5x35x29 cm; Charles Dickens Museum, London, UK; (add.info.: From the 1790s the Little Wooden Midshipman was the well-loved symbol for William HeatherA? nautical shop and academy at 157 Leadenhall Street, later known as Nories'. Dickens was so fond of the Midshipman that he gave him a starring role in Dombey and Son as the sign of Sol Gil, nautical equipment maker. He also describes him in The Uncommerical Traveller. The shop at 156 Minories was indeed bombed and later demolished. In 1946, the firm loaned the Midshipman to the Charles Dickens Museum); A© Charles Dickens Museum ; A© Charles Dickens Museum, London; English, out of copyright
© © Charles Dickens Museum © Charles Dickens Museum, London / Bridgeman Images

1984, directed by Michael Radford, with Richard Burton, 1984 (photo)
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Illustration from Julie or the New Heloise, c.1852 (colour litho)
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The Repentance of Mrs..., illustration from The Yellow Book, c.1896 (litho)
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Illustration from Dante's Divine Comedy, Inferno, Canto V, 1921 (w/c on paper)
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Don Juan, Sganarelle and the Beggar, illustration from Don Juan; by Moliere, 1896 (litho)
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Le Mysterieux Jardin de la Rose, c.1894 (litho)
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The internal economy of Dotheboys Hall, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
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Mr. Snawley enlarges on parental instinct, illustration from Nicholas Nickleby by Charles Dickens (1812-70)
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Merlin, an illustration from Le Morte d'Arthur by Sir Thomas Malory, 1893-94 (litho)
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Hypnotism of Trilby by Svengali, illustration from Trilby by George du Maurier, 1895 (etching)
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Illustration from Julie or the New Heloise, c.1852 (colour litho)
955429 Illustration from Julie or the New Heloise, c.1852 (colour litho) by French School, (19th century); Private Collection; (add.info.: Julie, or the New Heloise (French: Julie, ou la nouvelle Heloise) is an epistolary novel by Jean-Jacques Rousseau, published in 1761 by Marc-Michel Rey in Amsterdam. The original edition was entitled Lettres de deux amans habitans d'une petite ville au pied des Alpes ("Letters from two lovers living in a small town at the foot of the Alps"). After Markl.)
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Title Page for A Book of Fifty Drawings, 1897 (litho)
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Front Cover of The House of Sin, 1897 (litho)
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The Platonic Lament, illustration from Salome by Oscar Wilde, 1894 (litho)
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How Queen Guenever made her a nun, illustration from Le Morte d'Arthur by Sir Thomas Malory, 1893-94 (litho)
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Headpiece,an illustration from Le Morte d'Arthur by Sir Thomas Malory, 1893-94 (litho)
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Count Valmont, frontispiece for Les Liaisons Dangereuses by Pierre Cholderlos de Laclos, 1896 (litho)
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La Dame aux Camelias, illustration from The Yellow Book, 1894 (litho)
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How Queen Guenever made her a nun, illustration from Le Morte d'Arthur by Sir Thomas Malory, 1893-94 (litho)
DGC398010 How Queen Guenever made her a nun, illustration from Le Morte d'Arthur by Sir Thomas Malory, 1893-94 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Aubrey Vincent Beardsley (1872 - 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. ); Prismatic Pictures
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Portrait of himself in bed, from The Yellow Book Vol. III, October 1894 (litho)
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Illustration for "The Masque of the Red Death" by Edgar Allan Poe, 1895 (litho)
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King Latinus and King Alexander, from The Book of Fate by Lorenzo Spirito Gualtieri (printed paper)
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Illustration from "The Black Cat", a short story by Edgar Allan Poe, 1895 (litho)
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Lady Gold's Escort, illustration from The Yellow Book, 1894 (litho)
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The return of Tannhauser to the Venusberg, from The Story of Venus and Tannhauser, 1895 (litho)
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Antaeus setting down Virgil and Dante in the Last Circle of Hell, c.1910 (colour litho)
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