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Christ as man of sorrows between the virgin Mary and st John the evangelist, 1455-60 circa, (tempera on wood)
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Christ as man of sorrows between the virgin Mary and st John the evangelist, 1455-60 circa, (tempera on wood)
7146569 Christ as man of sorrows between the virgin Mary and st John the evangelist, 1455-60 circa, (tempera on wood) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Christ as man of sorrows between the grieving virgin Mary and st John the evangelist, 1455-60 circa, Sano di Pietro, tempera on wood, Uffizi gallery, Florence, Italy); Photo © Stefano Baldini
Media ID 31972163
© Stefano Baldini / Bridgeman Images
Aureoles Biblical Figure Blessed Virgin Blessed Virgin Mary Christ The King Crown Of Thorns Crown Of Thorns And Nails Crowns Evangelist Evangelists Forlorn Grief Grieving Halos Holy Virgin Holy Virgin Mary Jesus Of Nazareth John Apostle John The Apostle John The Evangelist Mater Dei Melancholia Melancholy Mournful Passion Of Christ Passion Of Jesus S Johan S John S John Evangelist Saint Giovanni Saint Jean Saint John Apostle Saint John The Evangelist Sanctus Joannes Ev St John The Apostle St John The Evangelist St Mary The Virgin Stigmata The Evangelist The Passion The Passion Of Christ Unhappiness Unhappy Virgin Mry Virgo Immaculata 15th 15 Xv Xvth Fifteenth Century Aureole Biblical Charcter Catholic Religion Catholics Christ Jesus Emotions Feeling Halo Mourning Quattrocento Reinassance Renaissance Time Sadness
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EDITORS COMMENTS
This print showcases the exquisite artwork of Pietro, Sano di, also known as Ansano di Pietro di Mencio. Created between 1455 and 1460, this tempera on wood masterpiece titled "Christ as man of sorrows between the virgin Mary and St. John the Evangelist" is housed in the prestigious Galleria degli Uffizi in Florence, Italy. The painting depicts a poignant scene from biblical history where Christ, adorned with a crown of thorns, stands sorrowfully between his grieving mother Mary and St. John the Evangelist. The artist skillfully captures their expressions of sadness and mourning through intricate details and vibrant colors. As we gaze upon this artwork from the quattrocento period during the Renaissance era, we are reminded of Christ's suffering and sacrifice for humanity. The halo above each figure signifies their divine nature while emphasizing their importance within religious iconography. This piece evokes a sense of melancholy as it explores themes such as faith, devotion, and redemption. It serves as a powerful reminder of Christ's stigmata – wounds inflicted during his crucifixion – symbolizing his immense love for mankind. Through its rich symbolism and masterful execution by Sano di Pietro, this painting transcends time to touch our hearts even today. Its presence in the Uffizi gallery is a testament to its significance within art history and its ability to evoke deep emotions within those who behold it.
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