Quattrocento Collection

Gozzoli, Benozzo di Lese, called Benozzo (1420-1497). Procession of the Youngest King. 1459-1460. ITALY. Florence. Medici Riccardi Palace. The Magi with Lorenzo the Magnificent and his retinue

Birth of Venus. Alessandro (Sandro) Botticelli
BOTTICELLI, Alessandro di Mariano dei Filipepi, also called Sandro (1445-1510). The Birth of Venus. ca. 1485. Renaissance art. Quattrocento. Oil on wood

Antonello da Messina. Virgin Annunciate. ca. 1476. The Virgin reading with a bookrest. Renaissance art. Quattrocento. Oil on wood. ITALY. Palermo. Fine Arts Museum

La Pieta Marble Sculpture by Michelangelo Buonarroti called Michelangelo
LRI4677583 La Pieta Marble Sculpture by Michelangelo Buonarroti called Michelangelo (Michelangelo or Michelangelo, 1475 - 1564) (1498-1500) by Buonarroti

ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Renaissance art. Quattrocento. Tempera on wood. ITALY. San Giovanni Valdarno. Museum of the Basilica de Santa Maria de la Gracia. Proc: MONACO

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

Last Conversation between St. Benedict and St. Scholastica, 15th century (fresco)
LRI4690611 Last Conversation between St. Benedict and St. Scholastica, 15th century (fresco) by Umbrian School, (15th century); Monastero di San Benedetto (Santuario Sacro Spero), Subiaco, Rome

ANGELICO, Fra. The Annunciation Altarpiece
ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Left lower detail of the predella, depicting the wedding between Virgin Mary and Saint Joseph. Renaissance art. Quattrocento. Tempera on wood

MANTEGNA, Andrea (1431-1506). The Lamentation over the Dead Christ. ca. 1490. Renaissance art. Quattrocento. Tempera. ITALY. Milan. Pinacotheca of Brera

Plan and cut of the dome of the Cathedral of Florence, 16th century (drawing)
LRI4619069 Plan and cut of the dome of the Cathedral of Florence, 16th century (drawing) by Cardi Cigoli, Ludovico (1559-1613); Galleria degli Uffizi, Florence, Tuscany

ANGELICO, Fra (1387-1455). The Virgin and Child with SS Dominic and Thomas Aquinas. 1424-1430. Renaissance art. Quattrocento. Fresco. RUSSIA. Saint Petersburg. State Hermitage Museum. Proc: ITALY

The Birth of Venus, c. 1485 (tempera on canvas)
XIR412 The Birth of Venus, c.1485 (tempera on canvas) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 172.5x278.5 cm; Galleria degli Uffizi, Florence, Italy; Italian

L Immaculee Conception - The Immaculate Conception, by Pinturicchio, Bernardino
FIA5408853 L Immaculee Conception - The Immaculate Conception, by Pinturicchio, Bernardino, School of. Oil on wood. Dimension : 33, 5x21 cm

POLLAIOLO, Antonio Benci, called Antonio del (1431-1498). Portrait of a Young Woman. ca. 1465. Renaissance art. Quattrocento. Oil on wood. GERMANY. Berlin. Staatliche Museen (State Museums)

The visitation, 1445 (Terracotta sculpture)
LRI4594209 The visitation, 1445 (Terracotta sculpture) by Della Robbia, Luca (1400-82); Chiesa di San Giovanni Fuorcivitas, Pistoia, Tuscany

Dome. Florence Cathedral. Italy
Dome by the Florence Cathedral. 15th century. Built by Filippo Brunelleschi (1377-1446). Exterior. Italy

DE PREDIS, Cristoforo (1440-1486). Stories of Saint Joachim, Saint Anne, Virgin Mary, Jesus, the Baptist and the End of the World. 1476

Portia, 1495 circa, (oil on panel)
7146463 Portia, 1495 circa, (oil on panel) by Bartolomeo, Fra (1472-1517); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Portia, 1495 circa, Bartolomeo della Porta)

St Benedict exorcises a possessed monk, 1415-20, (tempera on wood)
7146404 St Benedict exorcises a possessed monk, 1415-20, (tempera on wood) by Pietro, Nicolo di (fl.1394-1430); Galleria degli Uffizi, Florence, Tuscany

Pythagoras and Euclid, 1437 (marble tile)
7260238 Pythagoras and Euclid, 1437 (marble tile) by Della Robbia, Luca (1400-82); 83x69 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; Photo © Raffaello Bencini

Saint Jerome and the Lion Bronze sculpture by Bartolomeo Bellano (1434-1496) 1490 Paris, Louvre Museum
JLJ4685860 Saint Jerome and the Lion Bronze sculpture by Bartolomeo Bellano (1434-1496) 1490 Paris, Louvre Museum by Bellano, Bartolomeo (Vellano da Padova) (1434-1496); Louvre, Paris

Portrait of Queen Esther (Fresco, 15th century)
LRI4570358 Portrait of Queen Esther (Fresco, 15th century) by Castagno, Andrea del (1410-57); Galleria degli Uffizi, Florence, Tuscany

Andrea Mantegna (1431-1506). Italian Painter. The Crucifixio
Renaissance. Andrea Mantegna (1431-1506). Italian Painter. Quattrocento. The Crucifixion. Central part of the predella of altarpiece. 1457-1459. Oil on panel. Louvre, Pari?s

Study for the Adoration of the Magi (Pencil drawing, 15th-16th century)
LRI4572912 Study for the Adoration of the Magi (Pencil drawing, 15th-16th century) by Vinci, Leonardo da (1452-1519); Gabinetto dei Disegni e Stampe, Galleria Degli Uffizi, Florence, Tuscany

Portrait of Niccolo Acciaiuoli, grand senechal of Naples (Fresco, 15th century)
LRI4570360 Portrait of Niccolo Acciaiuoli, grand senechal of Naples (Fresco, 15th century) by Castagno, Andrea del (1410-57); Galleria degli Uffizi, Florence, Tuscany

Portrait of the artist with a friend. Raffaello Sanzio dit Raphael (1483-1520)
JLJ4689286 Portrait of the artist with a friend. Raffaello Sanzio dit Raphael (1483-1520), 15th century. Oil on canvas. Dim: 0, 99 x 0, 83m

Adoration of the Magi Painting by Domenico Ghirlandaio (Domenico Bigordi) (1449-1494
LRI4662335 Adoration of the Magi Painting by Domenico Ghirlandaio (Domenico Bigordi) (1449-1494) 1487 Diam. 171 cm Florence, Galleria degli Uffizi (offices) by Ghirlandaio

Interior view of the Pazzi chapel, 15th century
LRI4583336 Interior view of the Pazzi chapel, 15th century by Brunelleschi, Filippo (1377-1446); Santa Croce, Florence, Italy; (add.info.: Renaissance)

St Paul - tempera on panel, 1426
LRI4579365 St Paul - tempera on panel, 1426 by Masaccio, Tommaso (1401-28); Museo Nazionale di San Matteo, Pisa, Tuscany, Italy; (add.info)

Noli me tangere. Jesus Christ ressucite refuse d etre touche par Sainte Marie
BAT5467658 Noli me tangere. Jesus Christ ressucite refuse d etre touche par Sainte Marie Madeleine. Fresque de Guido di Pietro (ou Fra Giovanni da Fiesole) dit Fra Angelico ou il Beato (1400-1455)

Codex Capodilista, 1442. Falconer
CAPODILISTA, Giovanni Francesco (15th c. - 15th c.). Capodilista Codex. 1434. Carlotus Capodilista de Transelgardi, nobleman of the lineage Capodilista, dressed in a falconers costume

ITALY. Issogne. Issogne Castle. Pharmacy (15th

The story of Saint John the Baptist: The Visitation. Fresco by Domenico Ghirlandaio (1449-1494), 1490
BEN5462524 The story of Saint John the Baptist: The Visitation. Fresco by Domenico Ghirlandaio (1449-1494), 1490. Capella Maggiore, Santa Maria Novella Church, Florence

Bas-relief of the baptismal font made by Jacopo della Quercia (1374-1438), 1427. Baptistery in Siena, Italy. 836.4
BEN5475006 Bas-relief of the baptismal font made by Jacopo della Quercia (1374-1438), 1427. Baptistery in Siena, Italy. 836.4 by Quercia, Jacopo della (c.1372-1438); Photo © Raffaello Bencini

The birth of Saint John the Baptist. Detail of the Bas-Relief of the Baptismal Font made by Jacopo della Quercia
BEN5474943 The birth of Saint John the Baptist. Detail of the Bas-Relief of the Baptismal Font made by Jacopo della Quercia (1374-1438), 1427. Baptistery in Siena, Italy

Bust of an Unknown' Marble Sculpture by Antonio Benci called The Pollaiolo (Pollaiuolo) (1431-1498)
BEN5479904 Bust of an Unknown' Marble Sculpture by Antonio Benci called The Pollaiolo (Pollaiuolo) (1431-1498) 15th century Museo del Bargello, Florence by Pollaiolo

Genie wears a coat of arms that holds the coat of arms of a family, on the palisade of the Chapel of Iseut of
BEN5474939 Genie wears a coat of arms that holds the coat of arms of a family, on the palisade of the Chapel of Iseut of the Malatesta temple in Rimini

Leda with Jupiter (Zeus) in the form of a swan. Drawing by Niccolo Giolfino (or Golfino)
GIM5037838 Leda with Jupiter (Zeus) in the form of a swan. Drawing by Niccolo Giolfino (or Golfino) known as II Giolfino (or Ursino Veronensis) (1476-1555)

3534 1
VEN5027194 3534 1; (add.info.: Allegorie du mois de Mars (signe de Belier) : les tisseuses ou les tisserands. Fresque de Francesco del Cossa (1435-1477) dans le Salon des Mois de Palazzo Schifanoia

Italy Tuscany Siena, Baptistere San Giovanni - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit)
JEB4948500 Italy Tuscany Siena, Baptistere San Giovanni - Fresco of the Vecchiatta (Francesco di Giorgio e di Lorenzo dit Vecchietta or Lorenzo di Pietro, ca)

Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II)
JEB4948442 Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458)

Italy Tuscany San Gimignano, Museum of Sacred Art: Virgin and Child with Saint Nicholas, Saint Christopher
JEB4948158 Italy Tuscany San Gimignano, Museum of Sacred Art: Virgin and Child with Saint Nicholas, Saint Christopher, Saint John the Evangelist

Portrait of Leonardo da Vinci (Leonard de Vinci, 1452-1519)
NWI4914495 Portrait of Leonardo da Vinci (Leonard de Vinci, 1452-1519).; (add.info.: Portrait of Leonardo da Vinci (Leonard de Vinci, 1452-1519).); Photo © North Wind Pictures.

Adam and Eve Chasse du Paradise - Low Relief by Jacopo della Quercia (1374-1438)
JAB4122008 Adam and Eve Chasse du Paradise - Low Relief by Jacopo della Quercia (1374-1438).; (add.info.: Adam and Eve Chasse du Paradise - Low Relief by Jacopo della Quercia (1374-1438)

Statue of Amerigo Vespucci (1454-1512), merchant, Italian navigator, he was the first to consider the coasts of
YOU4419652 Statue of Amerigo Vespucci (1454-1512), merchant, Italian navigator, he was the first to consider the coasts of present-day South America as a new continent, distinct from Asia

Simone del Pollaiolo, known as Il Cronaca, 1891 (engraving)
8766900 Simone del Pollaiolo, known as Il Cronaca, 1891 (engraving) by Vasari, Giorgio (1511-74) (after); Private Collection; (add.info.: 1457-1508, Simone del Pollaiolo)

Portrait of Young Woman (Simonetta Vespucci o Clarice (Clarisse) Orsini), c.1475 (painting)
GIM5038444 Portrait of Young Woman (Simonetta Vespucci o Clarice (Clarisse) Orsini), c.1475 (painting) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510)

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The quattrocento, also known as the 15th century Renaissance period in Italy, was a time of great artistic and cultural flourishing. Artists such as Gozzoli, Benozzo di Lese, Antonello da Messina, Sandro Botticelli, Michelangelo Buonarroti, Fra Angelico, Andrea Mantegna, and Bartolomeo Bellano left their mark on this era with their remarkable works. Gozzoli's intricate paintings captivated viewers with their vibrant colors and detailed storytelling. Meanwhile, Benozzo's Virgin Annunciate showcased his mastery of light and shadow to create a sense of depth and realism. Antonello da Messina's painting titled "Virgin Annunciate" depicted the moment when Mary received the news that she would bear Jesus. The artist skillfully captured her emotions through delicate brushstrokes. One cannot discuss the quattrocento without mentioning Alessandro Botticelli's iconic masterpiece - "Birth of Venus. " This ethereal painting portrays the goddess emerging from a seashell onto a serene beachscape. Michelangelo Buonarroti's La Pieta marble sculpture is another notable work from this period. Its beauty lies in its emotional intensity as it depicts Mary cradling Jesus' lifeless body after his crucifixion. Fra Angelico created stunning religious artworks like "The Annunciation, " which showcased his meticulous attention to detail and use of vivid colors to convey spiritual themes. Hermes Trismegistus is an intriguing figure found within Italy's Siena Cathedral. This mystical character represents wisdom and knowledge during this time when humanistic ideas were gaining prominence. The dome of Florence Cathedral stands tall as an architectural marvel even today. Its design showcases the technical prowess achieved during the 16th century by combining mathematical precision with aesthetic elegance. Andrea Mantegna's "Lamentation" captures Christ being mourned by his followers after the crucifixion.