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How the Chartist procession might have looked, 1848 (engraving)

How the Chartist procession might have looked, 1848 (engraving)


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How the Chartist procession might have looked, 1848 (engraving)

1574646 How the Chartist procession might have looked, 1848 (engraving) by Leech, John (1817-64); (add.info.: Chartism: How the Chartist procession might have looked, with Mr Punch, Queen Victoria and the Duke of Wellington, followed by other eminent citzens. John Leech Cartoon from Punch, London, 1848.); Universal History Archive/UIG; English, out of copyright

Media ID 23093054

© Universal History Archive/UIG / Bridgeman Images

1840s Chartism Chartist Duke Of Wellington Franchise John Leech Vote Queen Victoria


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Frank Dadd

> Arts > Artists > L > John Leech

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Royalty

> Fine Art Finder > Artists > Frank Dadd

> Fine Art Finder > Artists > John Leech

> Popular Themes > Politics

> Popular Themes > Queen Victoria


EDITORS COMMENTS
This engraving, titled "How the Chartist procession might have looked, 1848" offers a fascinating glimpse into a significant moment in British history. Created by the talented artist John Leech in 1848, this cartoon from Punch magazine depicts an imagined scene of the Chartists' procession. The Chartists were a political movement that emerged during the mid-19th century in Britain, advocating for democratic reforms and universal suffrage. In this artwork, we see Mr. Punch, a popular character representing satire and social commentary, leading the procession alongside Queen Victoria and the Duke of Wellington. Behind them march other prominent citizens who support their cause. Leech's illustration captures both the grandeur and complexity of this historical event. The presence of Queen Victoria symbolizes her role as a powerful figurehead while also highlighting her potential influence on chartist demands for voting rights. The inclusion of the Duke of Wellington adds another layer to this image as he was not known to be sympathetic towards democratic movements like Chartism. This suggests that Leech may have been using satire to comment on societal tensions surrounding political reform during this time. Overall, "How the Chartist procession might have looked" is not only visually striking but also serves as an important reminder of past struggles for democracy and equal representation in Britain's political landscape.

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