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193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching)
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193-0082130 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching)
IND81649 Why hide them?, plate 30 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; Index Fototeca
Media ID 25897440
© Index Fototeca / Bridgeman Images
Avarice Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes Laughing Miser Money Bag Social Criticism Imam Religious Orders Religious Role
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193-0082130 Why hide them? - A Satirical Glimpse into Clerical Avarice
EDITORS COMMENTS
. This print captures plate 30 of Los caprichos, a renowned series of etchings created by the legendary Spanish artist Francisco Jose de Goya y Lucientes in 1799. The image measures 21.8x15.3 cm and is part of a private collection. In this thought-provoking artwork, Goya employs his masterful skills to deliver a scathing social criticism targeting the clergy's greed and materialism. The central figure, a priest or religious order member, can be seen laughing uproariously while clutching onto a money bag tightly concealed behind his back. The satirical engraving exposes the hypocrisy prevalent within certain religious circles during that era. It serves as an artistic commentary on the vices of avarice and highlights how some clergymen prioritized wealth accumulation over their spiritual duties. Goya's meticulous attention to detail brings this powerful message to life, emphasizing the absurdity of hiding such ill-gotten gains behind an outwardly pious facade. Through this work, he challenges viewers to question societal norms and reflect upon the true nature of those who hold positions of power within religious institutions. As one delves deeper into this piece, it becomes evident why Goya remains one of history's most influential artists. His ability to convey complex themes through visual storytelling continues to captivate audiences centuries later. This remarkable print
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