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The Cross of the Treasure of Sain John, recto, detail, 1457-59

The Cross of the Treasure of Sain John, recto, detail, 1457-59


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The Cross of the Treasure of Sain John, recto, detail, 1457-59

7268311 The Cross of the Treasure of Sain John, recto, detail, 1457-59 by Italian School, (15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence, Museum of the Opera del Duomo (Museum of Florence Cathedral of Santa Maria del Fiore): The Cross of the Treasure of St. John: the recto. The Cross of the Treasure of St. John: the verso. This cross is a splendid example of Renaissance jewelery, sculpted in silver foil, chiseled and enameled by Betto di Francesco Betti, Antonio del Pollaiolo and Miliano di Domenico Dei between 1457 and 1459 approximately. It was commissioned to complete the silver altar. The Cross-monstrance is made up of three distinct main parts: the Crucifix, the stem and the base. The front face is characterised by adoring angels, St. John the Baptist in the centre of a small temple designed in the Brunelleschi style, two Doctors of the Church within medallions, two figures of mourners, the Golgotha and the Cross.); Ghigo Roli

Media ID 25495176

© Ghigo Roli / Bridgeman Images

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> Arts > Art Movements > Renaissance Art

> Arts > Artists > I > Italian School Italian School

> Arts > Sculpture

> Europe > Italy > Florence

> Europe > Italy > Opera

> Europe > Italy > Posters

> Europe > Italy > Related Images

> Europe > Italy > Sculptures

> Europe > Italy > Tuscany > Florence

> Europe > Italy > Tuscany > Related Images

> Fine Art Finder > Artists > Florentine School

> Fine Art Finder > Artists > Italian School


EDITORS COMMENTS
This print showcases the exquisite details of "The Cross of the Treasure of Saint John" from the 15th century Italian School. Housed in the Museo dell'Opera del Duomo in Florence, Italy, this Renaissance jewelry masterpiece is a sight to behold. Crafted between 1457 and 1459 by renowned artists Betto di Francesco Betti, Antonio del Pollaiolo, and Miliano di Domenico Dei, it was commissioned as part of a silver altar. The cross-monstrance consists of three distinct parts: the Crucifix, stem, and base. The front face is adorned with adoring angels surrounding St. John the Baptist at the center of a small temple designed in Brunelleschi style. Two Doctors of the Church are depicted within medallions while two figures mourn nearby. The Golgotha scene and intricately crafted Cross complete this remarkable piece. Every detail on this silver foil sculpture has been meticulously chiseled and enameled to perfection. Its historical significance lies not only in its artistic brilliance but also as an integral component within religious ceremonies. Through this print captured by Ghigo Roli, viewers can appreciate every intricate element that makes up this extraordinary work of art—a testament to human creativity during one of history's most influential periods—the Renaissance era.

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