Doctor Of The Church Collection

Meeting of St. Augustine and the Donatists (oil on canvas) (b / w photo)
XIR307594 Meeting of St. Augustine and the Donatists (oil on canvas) (b/w photo) by Loo, Carle van (1705-65); Church of Notre-Dame-des-Victoires, Paris

St. Catherine of Siena (1347-80) Receiving the Stigmata, 1498 (oil on panel)
ALG226090 St. Catherine of Siena (1347-80) Receiving the Stigmata, 1498 (oil on panel) by Italian School, (15th century); Archivio di Stato, Siena

The Triumph of the Catholic Doctrine, detail of Practical Theology and Boethius, Hope and St
XIR205494 The Triumph of the Catholic Doctrine, detail of Practical Theology and Boethius, Hope and St. John Damascene, Faith and St. Denys the Areopagite, Charity and St

The meeting of Saint Francis with Saint Dominic, c.1665. Creator: Preti, Mattia (1613-1699)
The meeting of Saint Francis with Saint Dominic, c.1665. Found in the Collection of the Galleria Nazionale di Palazzo Spinola, Genova.

Enthroned Madonna and Child between Saint Nicholas of Tolentino and a bishop, with donors..., 1499
Enthroned Madonna and Child between Saint Nicholas of Tolentino and a bishop, with donors and angels, 1499. Private Collection

Saint Jerome Enthroned (tempera on panel)
868037 Saint Jerome Enthroned (tempera on panel) by Santi or Sanzio, Giovanni (c.1435-94); Vatican Museums and Galleries, Vatican City; (add.info.: Saint Jerome (c. 347 - 30 September 420), priest

Saint Jerome (oil on canvas)
868081 Saint Jerome (oil on canvas) by Mola, Pier Francesco (1612-66); Vatican Museums and Galleries, Vatican City; (add.info.: Saint Jerome (c. 347 - 30 September 420), priest

St. Jerome, right hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)
3471329 St. Jerome, right hand panel from the Triptych of St. Erasmus, c.1460 (oil on panel) by Bouts, Dirck (c.1415-75); 82x169 cm; Museums of Louvain, Belgium; © Art in Flanders

The Cross of the Treasure of Sain John, recto, detail, 1457-59
7268311 The Cross of the Treasure of Sain John, recto, detail, 1457-59 by Italian School, (15th century); Museo dell Opera del Duomo, Florence, Tuscany, Italy; (add.info.: Florence)

St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel)
PWI94955 St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); 23.5x37.5 cm; Louvre, Paris, France; © Peter Willi

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928826 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St
6204267 A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928825 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Detail of the wall with St. Jerome leaving Rome, Chapel of St. Jerome, 1452 (fresco)
6204268 Detail of the wall with St. Jerome leaving Rome, Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia

Chapel of St. Jerome, 1452 (fresco)
6204265 Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia, Italy; (add.info.: Church of St)

Detail with St. Jerome taking the thorn from the lions paw, Chapel of St. Jerome, 1452 (fresco)
6204272 Detail with St. Jerome taking the thorn from the lions paw, Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia

Chapel of St. Jerome, 1452 (fresco)
6204264 Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia, Italy; (add.info.: Church of St. Francis)

Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolo Gerini and Giovanni del Biondo
6365939 Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolo Gerini and Giovanni del Biondo, The Major Chapel by Gerini, Niccolo (c.1340-1414) & Biondo

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928824 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928822 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

The Doctors of the Church, 1500-04 (fresco)
6262753 The Doctors of the Church, 1500-04 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928823 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Saint Jerome, 1644 (etching)
874669 Saint Jerome, 1644 (etching) by Bol, Ferdinand (1616-80); 28.58 x24.77 cm; San Diego Museum of Art, USA; (add.info.: Saint Jerome (c.aO347-420), Christian priest

Saint Jerome, c. 1640-45 (oil on canvas)
873154 Saint Jerome, c.1640-45 (oil on canvas) by Zurbaran, Francisco de (1598-1664); 185.42 x104.14 cm; San Diego Museum of Art

Saint Gerolamo (oil on canvas)
CH397565 Saint Gerolamo (oil on canvas) by Sirani, Giovanni Andrea (1610-70); 76.2x101.6 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Saint Augustine and Saint Monica (oil on canvas)
488010 Saint Augustine and Saint Monica (oil on canvas) by Assereto, Giovacchino (1600-49); 99.7x132.2 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: St Augustine of Hippo (354-430)

Ms 246 fol. 354v St. Augustine, Epicurus, Zeno, Antiochus and Varron
XIR192834 Ms 246 fol.354v St. Augustine, Epicurus, Zeno, Antiochus and Varron, from De Civitae Dei by St. Augustine of Hippo (354-430) translated by Raoul de Presles (vellum) by Besancon

St Gregory of Nazianzus, 1620-21 (b / w photo)
2625562 St Gregory of Nazianzus, 1620-21 (b/w photo) by Rubens, Peter Paul (1577-1640); (add.info.: St. Gregory of Nazianzus, 1620-21 by Peter Paul Rubens. St. Gregory of Nazianzus (c. 329-c)

Albert le Grand (litho)
STC409073 Albert le Grand (litho) by French School, (19th century); Private Collection; (add.info.: Albertus Magnus (d.1280), Albert the Great

The Meditation of St. Jerome (oil on panel)
PWI96953 The Meditation of St. Jerome (oil on panel) by Massys or Metsys, Quentin (c.1466-1530); 82x105 cm; Private Collection; ePeter Willi; Netherlandish, out of copyright

Fol. 310v St. Jerome, from the Book of Hours of Don Duarte (vellum)
XIR243798 Fol.310v St. Jerome, from the Book of Hours of Don Duarte (vellum) by Flemish School, (15th century); Arquivo Nacional da Torre do Tombo, Lisbon, Portugal; Flemish, out of copyright

St. Jerome Praying: Arched Print, 1632 (etching & drypoint)
1068212 St. Jerome Praying: Arched Print, 1632 (etching & drypoint) by Rembrandt Harmensz. van Rijn (1606-69); 11x8 cm; Dallas Museum of Art, Texas, USA; (add.info.: Saint Jerome (c.347-420), priest

St. Jerome Praying: Arched Print, 1632 (etching)
1069893 St. Jerome Praying: Arched Print, 1632 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 11x8.1 cm; Dallas Museum of Art, Texas, USA; (add.info.: Saint Jerome (c.347-420), priest

Saint Anthony of Padua, 1529 (oil on canvas)
LRI956793 Saint Anthony of Padua, 1529 (oil on canvas) by Romanino, Girolamo (c.1485-c.1566); 233x164.5 cm; Duomo di Santa Maria Annunciata, Salo, Lake Garda

St. Jerome seated on a rock, writing (pen & ink with wash on paper)
CTS413029 St. Jerome seated on a rock, writing (pen & ink with wash on paper) by Palma Il Giovane (Jacopo Negretti) (1548-1628); 13.2x10.3 cm; eThe Devonshire Collections

St. Cyril of Alexandria (c. 376-444), icon (tempera on panel)
RIK84138 St. Cyril of Alexandria (c.376-444), icon (tempera on panel) by Greek School, (17th century); 19.2x15.2 cm; Private Collection; eRichard and Kailas Icons, London, UK; Greek, out of copyright

St. Anthony of Padua (1195-1231) from Transylvania, 1950-80 (painted glass)
CHT183740 St. Anthony of Padua (1195-1231) from Transylvania, 1950-80 (painted glass) by Romanian School (20th century); Private Collection; eArchives Charmet; Romanian, out of copyright

Gaius Cornelius Tacitus (AD 56-c. 120) engraved by Julien (litho) and St. Gregory of Nazianzus (c)
XIR200366 Gaius Cornelius Tacitus (AD 56-c.120) engraved by Julien (litho) and St. Gregory of Nazianzus (c.329-c.390) engraved by Israel (engraving) (b/w photo)

Saint Augustine of Hippo, 354 - 430. Roman African, early Christian theologian and philosopher

Saint Jerome translating the Bible into Latin, known as the Vulgate. Hand-colored engraving of a painting by Ghirlandaio

St. Basil Dictating his Doctrine (oil on canvas)
XIR90025 St. Basil Dictating his Doctrine (oil on canvas) by Herrera, Francisco (1576-1656); 243x194 cm; Louvre, Paris, France; Spanish, out of copyright

St. Augustine preaching before Valere, Bishop of Hippo (oil on canvas) (b / w photo)
XIR307595 St. Augustine preaching before Valere, Bishop of Hippo (oil on canvas) (b/w photo) by Loo, Carle van (1705-65); Church of Notre-Dame-des-Victoires, Paris

St. Jerome and the Lion, 1444 (oil on panel)
XIR94958 St. Jerome and the Lion, 1444 (oil on panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); 23.5x78 cm; Louvre, Paris

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"Doctor of the Church: A Journey Through Art and Faith" In a captivating meeting captured on canvas, St. Augustine engages in a profound dialogue with the Donatists, showcasing his wisdom as he defends Catholic doctrine. The black and white photo adds an air of timelessness to this significant encounter. Moving forward in time, we witness St. Catherine of Siena receiving the stigmata in 1498, depicted with exquisite detail on an oil panel. Her devotion and connection to God are palpable as she experiences this sacred phenomenon. The Triumph of Catholic Doctrine is beautifully illustrated through Practical Theology and Boethius, symbolizing hope amidst challenges faced by believers. This intricate detail reminds us that faith can guide us even in our darkest moments. Saint Jerome takes center stage both enthroned and portrayed individually, highlighting his immense influence as one of the great Doctors of the Church. His tempera panel showcases his scholarly presence while the oil painting captures his essence with remarkable skill. St. Jerome's impact extends beyond paintings; he appears to St. Cyril of Jerusalem in another masterpiece from 1444, emphasizing his spiritual guidance throughout history. In yet another work from the same year, we witness a dream where St. Jerome visits Sulpicius Severus and St. Augustine - a testament to his enduring legacy. Detailing "The Assumption of Mary, " frescoes transport us to a realm where divine miracles unfold before our eyes – reminding us that saints like St. Jerome play pivotal roles within religious narratives. A fake polyptych adorns the Chapel of St. Jerome with figures including Virgin Mary & Child, S. Anthony, Padua, and Louis Toulouse. The vibrant fresco transports viewers into an ethereal world where these revered figures coexist harmoniously, a testament to their significance within Christian tradition. As we immerse ourselves in these artistic masterpieces spanning centuries, the concept "Doctor of the Church" comes alive.