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Taking leave of the populace (engraving)
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Taking leave of the populace (engraving)
605029 Taking leave of the populace (engraving) by English School, (19th century); Private Collection; (add.info.: Taking leave of the populace - the Royal party on the balcony of Buckingham Palace. Published on 21 March 1874.); Look and Learn / Peter Jackson Collection
Media ID 22415716
© Look and Learn / Peter Jackson Collection / Bridgeman Images
Buckingham Palace Palaces Policemen Populace Royal Guards Royal Homes Taking Leave
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Taking Leave of the Populace - A Royal Farewell
EDITORS COMMENTS
. This engraving, created by an anonymous English artist in the 19th century, captures a poignant moment as the royal party bids farewell to the adoring crowd from the grand balcony of Buckingham Palace. Published on 21 March 1874, this historical print offers a glimpse into a ceremonial event that resonated with both men and women alike. The scene is filled with an air of anticipation and excitement as people gather around to catch a final glimpse of their beloved royals. The majestic horses stand tall while royal guards maintain their stoic presence, adding to the regal atmosphere surrounding this departure. Policemen ensure order amidst the bustling crowd, ensuring everyone's safety during this significant occasion. As we gaze upon this image, we can almost feel the palpable sense of respect and admiration emanating from both sides – those bidding farewell and those being bid adieu. It is evident that these individuals hold deep reverence for their royal figures. In this snapshot frozen in time, we witness not only his Royal Highness but also her Royal Highness acknowledging their subjects' loyalty and devotion. This ceremony serves as a reminder of how royalty has long been intertwined with public life in London. Buckingham Palace stands proudly in all its splendor behind them – symbolizing power, tradition, and continuity. This print encapsulates an era when palaces were more than just architectural marvels; they were living embodiments of history itself. Thanks to Brid
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