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The Last Judgment: Hell (tempera on wood, 1432-1435)

The Last Judgment: Hell (tempera on wood, 1432-1435)


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The Last Judgment: Hell (tempera on wood, 1432-1435)

LRI4613351 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian, out of copyright

Media ID 22847538

© Luisa Ricciarini / Bridgeman Images

15 15e 15eme Xv Xve Xveme Siecle Apocalypse Bible Personnage Chatiment Devil End Of The World Fin Du Monde Hell Last Judgment Late Natural Elements 4 Punition Natural Element Peinture Punishment Quattrocento


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> Historic > Renaissance art

> Italian renaissance art


EDITORS COMMENTS
This print captures "The Last Judgment: Hell" a remarkable piece of art created by Fra Angelico in the early 15th century. The painting, made with tempera on wood, is housed at the Museo di San Marco in Florence, Italy. In this intense depiction of the end of the world and its consequences, Angelico portrays a scene filled with violence and despair. The artist skillfully brings to life the horrors of hell as sinners face their ultimate punishment for their earthly transgressions. The devil himself looms large in this composition, surrounded by flames that symbolize eternal damnation. With meticulous attention to detail and vibrant colors, Angelico creates an atmosphere that evokes both fear and awe. As part of the Renaissance movement, this artwork reflects not only religious themes but also showcases technical mastery and artistic innovation. It serves as a reminder of humanity's mortality and emphasizes the importance of leading a righteous life. Luisa Ricciarini expertly captures every nuance of this powerful painting through her lens. Her photograph preserves not only the beauty but also conveys the profound message behind Angelico's masterpiece. Through her work, viewers can appreciate both the historical significance and emotional impact that "The Last Judgment: Hell" continues to have centuries after its creation.

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