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Cover of "Le Don Quixote", number 962, Satirique en Couleurs
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Cover of "Le Don Quixote", number 962, Satirique en Couleurs
ICA4925855 Cover of " Le Don Quixote", number 962, Satirique en Couleurs, 1892_12_4: Heres its place! - Germany Prussia - Bismarck, Owl/Owl, Eagle - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 962, Satirique en Couleurs, 1892_12_4: Heres its place! - Germany Prussia - Bismarck, Owl/Owl, Eagle - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright
Media ID 22322430
© Caricadoc / Bridgeman Images
Animalization Attrition Bismarck Malefactor Otto Von 1815 1898 Physical Destruction Raptor A Journal Caricadoc Journalism Prussia Prussian Punishment
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EDITORS COMMENTS
The print captures the vibrant and satirical cover of "Le Don Quixote", number 962, Satirique en Couleurs. Created in 1892 by Charles Gilbert-Martin, this illustration showcases a powerful political commentary on Germany and Prussia during that time period. The central figures depicted are Otto von Bismarck, the influential German statesman, an owl representing wisdom and knowledge, and an eagle symbolizing strength and power. The artwork cleverly portrays the tension between France and Prussia through its use of caricature. It highlights the animalization of Bismarck as a malefactor who is being punished for his actions against France. The engraving skillfully combines elements of attrition, physical destruction, and punishment to convey the artist's critique. This piece serves as a testament to the role of satire in journalism during the 19th century. Through visual storytelling, it exposes political tensions while entertaining readers with its wit and creativity. The inclusion of animals adds depth to the symbolism employed by Gilbert-Martin. Overall, this image not only reflects historical events but also demonstrates how art can be used as a tool for social commentary. Its intricate details invite viewers to delve into its narrative layers while appreciating Gilbert-Martin's artistic prowess.
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