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Turning in his chair, he held out his arms to our hero (colour litho)

Turning in his chair, he held out his arms to our hero (colour litho)


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Turning in his chair, he held out his arms to our hero (colour litho)

3627165 Turning in his chair, he held out his arms to our hero (colour litho) by Avril, Edouard-Henri (Paul) (1849-1928); Private Collection; (add.info.: Turning in his chair, he held out his arms to our hero. Illustration from The Charterhouse of Parma by Stendhal (William Heinemann, London, 1902).); © Look and Learn

Media ID 22984648

© Look and Learn / Bridgeman Images

Astronomical Celestial Globe Cheerful Fiction Gaiety Good Mood Happiness Happy Joys Merry Planetary Science Space And Astronomy Stars Stendhal Telescope Emotions Feeling Marie Henri Beyle


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> Fine Art Finder > Artists > Andrea the Elder (after) Appiani

> Fine Art Finder > Artists > Edouard-Henri (1849-1928) Avril


EDITORS COMMENTS
This print titled "Turning in his chair, he held out his arms to our hero" by Edouard-Henri Avril depicts a scene from the renowned novel, The Charterhouse of Parma by Stendhal. Set in 19th century Italy, the image showcases a moment of joy and happiness as one character warmly greets our hero. The composition is filled with vibrant colors and intricate details that bring the story to life. A celestial globe and telescope symbolize the protagonist's fascination with astronomy, highlighting their scientific inclinations. The stars shining brightly above emphasize the connection between literature and the wonders of space. Avril's skillful use of color lithography adds depth and richness to this illustration, capturing both French and Italian cultures seamlessly. It beautifully portrays emotions such as gaiety, cheerfulness, and merry feelings that resonate throughout Stendhal's work. As we gaze upon this artwork from a private collection, we are transported into an enchanting world where literature intertwines with science. It serves as a reminder of the power of storytelling to evoke emotions within us all.

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