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Reaching Camp, Removing the Saddles, c. 1837 (pencil, pen and ink, wash, and gouache on paper)

Reaching Camp, Removing the Saddles, c. 1837 (pencil, pen and ink, wash, and gouache on paper)


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Reaching Camp, Removing the Saddles, c. 1837 (pencil, pen and ink, wash, and gouache on paper)

5310486 Reaching Camp, Removing the Saddles, c.1837 (pencil, pen and ink, wash, and gouache on paper) by Miller, Alfred Jacob (1810-74); 15.9x24.2 cm; Joslyn Museum, Omaha, Nebraska, USA; (add.info.: Miller and Scottish soldier Sir William Drummond Stewart (1795-1871) accompanied Irish mountain man Thomas Fitzpatrick (1799-1854) trapper with the American Fur Company in 1837 along the Oregon Trail through old Nebraska Territory to one of the last annual fur trappers rendezvous in the Green River Valley in what is now Wyoming.)

Media ID 24706996

© Bridgeman Images

American Fur Company Rendezvous American Native Indians American West Civilisation Cultural Excursion Expedition Explore Frontier Geographical Hitch Hunters Indigenous Peoples Of The Americas Indigineous Many Animals Mauri Miller Alfred Jacob 1810 74 Native American Indians Native Americans Oregon Trail Pioneers Plains Indians Rockies Rocky Mountains Shoshone Tipi Traders Trapper Trappers Wagon Wagonette Wagons America Continent Avec Personnage Coupling Dwelling Places Gents Landcape Landscaoe Poeple


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> Arts > Artists > N > Thomas North

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EDITORS COMMENTS
The captivating artwork titled "Reaching Camp, Removing the Saddles" by Alfred Jacob Miller takes us back to a significant moment in history. Created in 1837, this exquisite print showcases the journey of Miller and Sir William Drummond Stewart alongside Thomas Fitzpatrick, an Irish mountain man and trapper with the American Fur Company. As we delve into this scene, we witness a group of explorers reaching their campsite after a long day's travel along the Oregon Trail through old Nebraska Territory. The artist skillfully captures the essence of this expedition as men remove their saddles from weary horses while surrounded by lush landscapes and majestic Rocky Mountains. Intriguingly, amidst this exploration lies a harmonious blend of cultures. Native Americans can be seen nearby, their tipis dotting the landscape—a testament to the rich diversity encountered during these early journeys into uncharted territories. Miller's mastery is evident not only in his attention to detail but also in his ability to convey both adventure and tranquility within one frame. Through delicate pencil strokes combined with pen and ink washes, he brings forth a vivid depiction that transports viewers back to America's frontier days. This remarkable piece serves as both an artistic treasure and historical documentation—an invitation for us all to reflect upon those who paved the way for westward expansion and appreciate the beauty found within our nation's vast landscapes.

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