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Adoration of the Magi - Central Panel, c. 1462

Adoration of the Magi - Central Panel, c. 1462


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Adoration of the Magi - Central Panel, c. 1462

LRI4575203 Adoration of the Magi - Central Panel, c. 1462 by Mantegna, Andrea (1431-1506); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Magi Central Panel Painting by Andrea Mantegna (1431-1506) 1462 approx. Dim 76x76 cm Florence, Galleria degli Uffizi (Offices)); Luisa Ricciarini; Italian, out of copyright

Media ID 23015126

© Luisa Ricciarini / Bridgeman Images

Adoration Of The Magi Beef Camel Cave Gift Holy Family King Mage Offering Prostration Saint Joseph Star Aureole Quattrocento


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EDITORS COMMENTS
This print showcases the central panel of "Adoration of the Magi" by Andrea Mantegna, a renowned Italian Renaissance artist. Created around 1462, this masterpiece measures approximately 76x76 cm and is housed in the Galleria degli Uffizi in Florence, Italy. The painting depicts a poignant scene from biblical lore, as the Three Wise Men kneel before the Holy Family to pay homage to the newborn Jesus Christ. The composition exudes an aura of holiness and reverence, with Mary cradling her divine child while Joseph stands protectively beside them. Angels hover above, their presence illuminated by a radiant aureole surrounding baby Jesus. Mantegna's meticulous attention to detail is evident in every brushstroke; from the intricate garments worn by each figure to the lifelike rendering of animals such as camels and donkeys that accompany the visitors. The rich colors and textures bring this sacred moment to life on canvas. As viewers gaze upon this artwork, they are transported back in time to witness this significant event unfold within a humble cave setting. The gifts brought by the Magi – gold, frankincense, and myrrh – symbolize both material wealth and spiritual devotion. Luisa Ricciarini skillfully captures all these elements through her lens, preserving Mantegna's artistic genius for generations to come. This print serves as a testament to both religious faith and artistic excellence during Italy's Quattrocento period.

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