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The scandalous meeting of the House of Deputies: Jean Jaures attacked by Bernis during a
XEE4414795 The scandalous meeting of the House of Deputies: Jean Jaures attacked by Bernis during a debate on the Dreyfus Affair, 1898 (engraving) by Anonymous; Private Collection; (add.info.: Le Petit Journal, February 6, 1898.); Stefano Bianchetti; out of copyright
Media ID 23319410
© Stefano Bianchetti / Bridgeman Images
Alfred 1859 1935 Depute Dreyfus Dreyfus Case John 1859 1914 Yellows Bianchettf Jewish Religion Jews
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
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Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
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Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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The Scandalous Meeting of the House of Deputies - A Clash of Ideologies Unveiled
EDITORS COMMENTS
. In this engraving by an anonymous artist, we are transported back to a pivotal moment in French history - the scandalous meeting at the House of Deputies in 1898. The image captures the intense debate on the infamous Dreyfus Affair, which divided France along religious and political lines. At its center, we witness a shocking attack as Jean Jaures, a prominent figure known for his advocacy for social justice and Jewish rights, is physically assaulted by Bernis amidst heated discussions. The tension between these two individuals symbolizes the deep-rooted conflicts that plagued French society during this time. The composition skillfully portrays the chaos and emotional turmoil within the chamber. The expressions on faces reveal anger, disbelief, and determination as representatives passionately defend their positions. This historic event marked a turning point in French politics and exposed underlying prejudices against Jews within certain factions. The engraving's significance lies not only in its portrayal of key figures like Alfred Dreyfus and Jean Jaures but also in its reflection of broader themes such as religion, anti-Semitism, and national identity. It serves as a powerful reminder that even within democratic institutions, prejudice can rear its ugly head. As we gaze upon this remarkable print from Stefano Bianchetti's private collection today, it prompts us to reflect on how far society has come since those tumultuous times while urging us to remain vigilant against discrimination that still
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