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Cushion : George Morland (1763-1804) on his Hunter, 1794 (oil on canvas)

George Morland (1763-1804) on his Hunter, 1794 (oil on canvas)



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George Morland (1763-1804) on his Hunter, 1794 (oil on canvas)

XYC254476 George Morland (1763-1804) on his Hunter, 1794 (oil on canvas) by Hand, Thomas (c.1771-1804); 60.3x80 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12770807

© www.bridgemanart.com

Horse And Rider Hounds Mounted


Medium 18" Cushion (46x46cm)

18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.

Accessorise your space with decorative, soft cushions

Estimated Product Size is 45.7cm x 45.7cm (18" x 18")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
George Morland (1763-1804) on his Hunter, 1794 captures the essence of Georgian equestrian life in this stunning oil on canvas masterpiece. Painted by Thomas Hand, this portrait showcases Morland's passion for hunting as he confidently sits atop his majestic horse. The artist skillfully portrays the bond between man and animal, with Morland's hunter exuding strength and grace. The rich colors and intricate brushwork bring to life every detail of the scene, from the texture of the horse's coat to the movement of its flowing mane. Surrounded by a pack of loyal hounds eagerly awaiting their master's command, Morland epitomizes both power and elegance. His riding attire reflects the fashion of the time, while his focused expression reveals his deep connection with nature and love for adventure. This artwork is housed at Yale Center for British Art as part of the esteemed Paul Mellon Collection. Its presence adds depth to any art collection or exhibition dedicated to English history or equestrian culture. As we admire George Morland (1763-1804) on his Hunter, 1794 today, we are transported back in time to an era where horsemanship was revered and hunting was not just a sport but a way of life. This painting serves as a testament to both artistic talent and an enduring legacy that continues to captivate audiences centuries later.

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