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Antique Framed Print : George Morland (1763-1804) on his Hunter, 1794 (oil on canvas)
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George Morland (1763-1804) on his Hunter, 1794 (oil on canvas)
XYC254476 George Morland (1763-1804) on his Hunter, 1794 (oil on canvas) by Hand, Thomas (c.1771-1804); 60.3x80 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12770807
© www.bridgemanart.com
Horse And Rider Hounds Mounted
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18.7cm (9.6" x 7.4")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
George Morland (1763-1804) on his Hunter, 1794 captures the essence of Georgian equestrian life in this stunning oil on canvas masterpiece. Painted by Thomas Hand, this portrait showcases Morland's passion for hunting as he confidently sits atop his majestic horse. The artist skillfully portrays the bond between man and animal, with Morland's hunter exuding strength and grace. The rich colors and intricate brushwork bring to life every detail of the scene, from the texture of the horse's coat to the movement of its flowing mane. Surrounded by a pack of loyal hounds eagerly awaiting their master's command, Morland epitomizes both power and elegance. His riding attire reflects the fashion of the time, while his focused expression reveals his deep connection with nature and love for adventure. This artwork is housed at Yale Center for British Art as part of the esteemed Paul Mellon Collection. Its presence adds depth to any art collection or exhibition dedicated to English history or equestrian culture. As we admire George Morland (1763-1804) on his Hunter, 1794 today, we are transported back in time to an era where horsemanship was revered and hunting was not just a sport but a way of life. This painting serves as a testament to both artistic talent and an enduring legacy that continues to captivate audiences centuries later.
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