Cushion > Fine Art Finder > Landscapes: Up To The End Of The 17th C
Cushion : Landscape with country lane and cottages, etched by Benjamin Wilson, 1751 (etching)
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Landscape with country lane and cottages, etched by Benjamin Wilson, 1751 (etching)
XJF412253 Landscape with country lane and cottages, etched by Benjamin Wilson, 1751 (etching) by Rembrandt Harmensz. van Rijn (1606-69) (after); Private Collection; (add.info.: inscription reads A proofprint from this plate, designed and etched by B. Wilson was sold as a very fine Rembrandt to one of the greatest connoisseurs for six shillings, the 17 April 1751 ; Benjamin Wilson (1721-88) British printmaker; ); Dutch, out of copyright
Media ID 12876685
© www.bridgemanart.com
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning landscape with a country lane and charming cottages, etched by the talented Benjamin Wilson in 1751. The original work was actually created by Rembrandt Harmensz. van Rijn, one of history's most renowned artists. This particular print is part of a private collection and holds an intriguing story behind it. Interestingly, this etching was mistakenly sold as an authentic Rembrandt to one of the greatest connoisseurs for just six shillings on April 17th, 1751. The inscription on the print reveals that it is indeed a proofprint from Wilson's own design and etching. Benjamin Wilson himself was a British printmaker known for his exceptional skills in replicating famous artworks. Although this piece may be considered fake or reproduction due to its misattribution, it still captures the essence of Dutch countryside beauty that Rembrandt often depicted in his works. The idyllic view portrayed here transports viewers to another time and place, immersing them in the tranquility of rural Holland. As we admire this print today, we can appreciate both its artistic merit and historical significance. It serves as a reminder that even within art forgery lies intrigue and appreciation for craftsmanship across different eras.
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