Acrylic Blox > Fine Art Finder > Landscapes: Up To The End Of The 17th C
Acrylic Blox : Landscape with country lane and cottages, etched by Benjamin Wilson, 1751 (etching)
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Landscape with country lane and cottages, etched by Benjamin Wilson, 1751 (etching)
XJF412253 Landscape with country lane and cottages, etched by Benjamin Wilson, 1751 (etching) by Rembrandt Harmensz. van Rijn (1606-69) (after); Private Collection; (add.info.: inscription reads A proofprint from this plate, designed and etched by B. Wilson was sold as a very fine Rembrandt to one of the greatest connoisseurs for six shillings, the 17 April 1751 ; Benjamin Wilson (1721-88) British printmaker; ); Dutch, out of copyright
Media ID 12876685
© www.bridgemanart.com
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 15.2cm x 10.2cm (6" x 4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a stunning landscape with a country lane and charming cottages, etched by the talented Benjamin Wilson in 1751. The original work was actually created by Rembrandt Harmensz. van Rijn, one of history's most renowned artists. This particular print is part of a private collection and holds an intriguing story behind it. Interestingly, this etching was mistakenly sold as an authentic Rembrandt to one of the greatest connoisseurs for just six shillings on April 17th, 1751. The inscription on the print reveals that it is indeed a proofprint from Wilson's own design and etching. Benjamin Wilson himself was a British printmaker known for his exceptional skills in replicating famous artworks. Although this piece may be considered fake or reproduction due to its misattribution, it still captures the essence of Dutch countryside beauty that Rembrandt often depicted in his works. The idyllic view portrayed here transports viewers to another time and place, immersing them in the tranquility of rural Holland. As we admire this print today, we can appreciate both its artistic merit and historical significance. It serves as a reminder that even within art forgery lies intrigue and appreciation for craftsmanship across different eras.
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