Canvas Print : Menage a Trois / Gavarni
Canvas Prints from Mary Evans Picture Library
Menage a Trois / Gavarni
A wife with two husbands: they re all looking rather relaxed about it all... Date: 1850
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14292483
© Mary Evans Picture Library
1850 Gavarni Husbands Relaxed Trois Menage
20"x16" (50x40cm) Canvas Print
Add a touch of whimsy and intrigue to your home decor with our exquisite Canvas Prints from Media Storehouse, featuring "Menage a Trois / Gavarni" by Rights Managed from Mary Evans Prints Online. This charming 19th-century image captures the essence of a playful moment between a wife and her two husbands, all depicted with an air of relaxed contentment. The high-quality canvas print brings the captivating details of this iconic artwork to life, making it a unique and thought-provoking addition to any room. Experience the allure of art history in your own home with this captivating piece.
Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Menage a Trois / Gavarni: A Wife with Two Husbands (1850) - An intriguing and thought-provoking image from the 19th century, this print by French caricaturist, Honoré Daumier, under the pseudonym of Gavarni, captures a unique and unconventional family dynamic. The title "Menage a Trois," a term originating from France, translates to "household of three," and was used to describe living arrangements involving multiple partners. In this depiction, a serene and composed woman sits between her two husbands, all three appearing relaxed and content. The scene challenges societal norms and expectations of monogamy and marriage during the time period. The image, created in 1850, is a testament to the artistic and social climate of the era. Daumier's masterful use of satire and wit is evident in the subtle expressions and body language of the figures, adding layers of meaning and interpretation. The setting, with its ornate furnishings and elegant decor, further emphasizes the contrast between the unconventional family arrangement and the opulence of the era. This historical print offers a glimpse into the complexities and nuances of relationships and family structures during the 19th century. It invites us to question societal norms and explore the human capacity for love and companionship beyond traditional boundaries. The relaxed and content expressions of the three individuals in the image serve as a reminder that love and happiness can take many forms, and that the most important factor is the emotional connection and fulfillment of those involved.
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