Antique Framed Print : Menage a Trois / Gavarni
Framed Photos from Mary Evans Picture Library
Menage a Trois / Gavarni
A wife with two husbands: they re all looking rather relaxed about it all... Date: 1850
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14292483
© Mary Evans Picture Library
1850 Gavarni Husbands Relaxed Trois Menage
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19cm x 24.4cm (7.5" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Menage a Trois / Gavarni: A Wife with Two Husbands (1850) - An intriguing and thought-provoking image from the 19th century, this print by French caricaturist, Honoré Daumier, under the pseudonym of Gavarni, captures a unique and unconventional family dynamic. The title "Menage a Trois," a term originating from France, translates to "household of three," and was used to describe living arrangements involving multiple partners. In this depiction, a serene and composed woman sits between her two husbands, all three appearing relaxed and content. The scene challenges societal norms and expectations of monogamy and marriage during the time period. The image, created in 1850, is a testament to the artistic and social climate of the era. Daumier's masterful use of satire and wit is evident in the subtle expressions and body language of the figures, adding layers of meaning and interpretation. The setting, with its ornate furnishings and elegant decor, further emphasizes the contrast between the unconventional family arrangement and the opulence of the era. This historical print offers a glimpse into the complexities and nuances of relationships and family structures during the 19th century. It invites us to question societal norms and explore the human capacity for love and companionship beyond traditional boundaries. The relaxed and content expressions of the three individuals in the image serve as a reminder that love and happiness can take many forms, and that the most important factor is the emotional connection and fulfillment of those involved.
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